Nganampa Kililpil: Our Stars
Nganampa Kililpil: Our Stars is the first major survey exhibition of works from seven arts centres in the Anangu Pitjantjatjara Yankunyjatjara (APY) Lands in South Australia.
Nganampa Kililpil: Our Stars is the first major survey exhibition of works from seven arts centres in the Anangu Pitjantjatjara Yankunyjatjara (APY) Lands in South Australia.
Ngaio Lenz paints possibility. Her new exhibition, The Imperfect Balance, extends the Melbourne-based artist’s investigation into the place of intuition, history and emotion in painting.
Doley’s 95 Things Learnt About Feminism are evidently not intended as a complete definition, if such a thing can even be attempted, but rather a snapshot of how the movement exists today: ever-shifting, many-layered, but stronger than ever.
Tracey Clement chatted to Nell about AC/DC, spirituality and death while the artist was installing her major survey show at the Shepparton Art Museum (SAM).
A complex photo installation and three-dimensional sculpture, including a backlit crypt made of wood, will be central to the exhibition.
Robyn Stacey’s multilayered, colour-saturated images are created without digital manipulation.
As part of this year’s Melbourne Festival, Shiota will create a new body of work for a major solo exhibition at Anna Schwartz Gallery.
Gerard Byrne joins a group exhibition at Monash University Musuem of Art that assesses museums as an instrument to capture and preserve objects.
Toby Fehily spoke to Terstappen about her life, her exhibition and the unique role of art in spreading awareness about animals.
“This seemed like a good thing, a hybridisation of commercial and private approaches, and perhaps this is the future we’ll see elsewhere as major commercial galleries become private foundations and artist-run spaces are pushed out into the suburbs.”
For an artist who occupies herself with ideas surrounding training and submission, Lou Hubbard can’t quite rein in time.
Congratulations to Sam Bloor for winning the 2016 Fremantle Arts Centre (FAC) Print Award.
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
All that is Alive is a multi-disciplinary exhibition exploring living systems with a focus on regeneration and growth, on display at UTS Gallery in Sydney.
Marking the Newcastle Art Galleries reopening with a large-scale commission for the windows on Darby Street, Maggie Hensel-Brown’s new commission is on display from 26 September.
The winning painting of this year’s Archibald Packing Room Prize reflected a changing of the guard in the packing room, as well as an evolution of the broader prize, with artists increasingly choosing to paint their fellow artists. The Archibald Prize 2025 currently is on display at Geelong Gallery.
