Radicality doesn’t necessarily sit in one temporality or in one action, but spans, as the exhibition portrays, across histories and through consequences.
Melbourne-based artist Valerie Sparks has won the non-acquisitive $25,000 MGA Bowness Photography Prize with her work titled Prospero’s Island – North East.
Justine Varga’s photographs capture the briefest moments. In Memoire she seizes, stretches and accumulates that instant.
Tradition and innovation are integral to Desert Mob, a festival that showcases Indigenous talent.
For Alaska Projects, Lanagan Dunbar is trialling another new photographic process, called photogrammetry, which has its roots in map-making.
Structural engineer to artist is an unusual career segue, but Damien O’Mara cherishes the freedom to create work driven by personal creative interests.
Amelda Read-Forsythe announced as the winner of the John Leslie Art Prize 2016.
Sunshine Coast photographer Michael Cook has won the $25,000 Sunshine Coast Art Prize with his work, Mother – Tennis.
A difficult education has not deterred Tony Albert from a pluralistic approach to making art – at once forgiving and subversive.
Gravity (and Wonder) is a collaborative project between Penrith Regional Gallery & The Lewers Bequest and The Museum of Applied Arts and Sciences (MAAS, formerly Powerhouse Museum).
The 2016 TarraWarra Biennial, Endless Circulation, folds time and material in all directions.
In Fragments of Language, an exhibition of over 30 new, small-scale sculptures, Koning’s studio will be transposed into the Engine Room space at Turner Galleries.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
In the cavernous spaces of Hobart’s Museum of Old and New Art, the large-scale kinetic sculptures of Arcangelo Sassolino are teetering on the brink.
Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney.
Language folds into form in the poetic yet monumental light sculptures of Welsh artist Cerith Wyn Evans, whose solo exhibition … in light of the visible is at the Museum of Contemporary Art, Sydney.
