Natasha Bieniek: Bloombox
In this exhibition, Bloombox, Natasha Bieniek has created 10 miniature paintings of public gardens around Melbourne.
In this exhibition, Bloombox, Natasha Bieniek has created 10 miniature paintings of public gardens around Melbourne.
As a painter celebrated for his figurative portraits, Alan Jones recently stepped out from the depths of his warehouse studio and into the open air to tackle the longstanding tradition of landscape.
Despite a successful career spanning 35 years, it’s not easy to see work by the late American artist Mike Kelley in Australia.
For the last 30 years, artists David Jensz and Wendy Teakel have lived together and shared a studio.
Emerging artist Megan Seres and Perth based photographer Johannes Reinhart win the 2016 Moran Art Prizes.
Ariel Hassan’s works are a vortex that spins together his philosophical, literary and political concerns, destroying, rearranging and reconfiguring them.
In a tiny outbuilding at the artist’s Melbourne home, Brooks’s studio is briskly cold on a midwinter’s day, yet the colours and materials piled inside are warmly engaging.
Isaac Julien’s father wanted the artist to become a banker or a lawyer: the transferred ambition was his dad’s version of a better life. Julien’s parents wanted a better life for themselves too.
His compositions use coloured light as a sonic element and he sees “music and colour as interchangeable”.
Tricky Walsh’s homage to wartime code, technological relics and early communication devices.
The annual Woollahra Small Sculpture Prize (WSSP) attracts an enormous number of entries (over 600 this year) and brings together a collection of finalists from the preeminent to the lesser known.
In After Voices, Kuswidananto used animatronics, sound, video and sculpture to create a ghostly protest procession that had a distinctly theatrical edge.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways.
An exhibition of newly commissioned works at the National Art School gallery in Sydney brings to light the historic and ongoing ties between Indigenous and Asian-Australian communities.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
