Ella Barclay on conspiracy theories and the New World Order
Ella Barclay is a kind of techno-alchemist. She is known for her immersive installations in which computer wires, water, mist and diodes are transformed into pulsing organisms.
Ella Barclay is a kind of techno-alchemist. She is known for her immersive installations in which computer wires, water, mist and diodes are transformed into pulsing organisms.
A major restoration program at Versailles has allowed a number of significant objects to travel from France to Australia for the first time.
Salote Tawale has been awarded the inaugural Arts NSW Visual Artists Fellowship. Tawale was selected from a shortlist of six NSW artists which also included: Khadim Ali, Linda Dement, Karla Dickens, Bianca Hester and Hiromi Tango.
Soda_Jerk, a two-person art collective formed in Sydney in 2002, has been awarded the Ian Potter Moving Image Commission (IPMIC).
Australian sculptor Bronwyn Oliver (1959-2006) was a quiet overachiever. Her works are displayed in some of the most prominent public spaces around Australia, housed in many private and public collections, and on display inside some of Australia’s most-visited buildings.
For French artist Philippe Parreno, the show is itself art-in-progress, not merely a vehicle to display discrete works.
Amiel Courtin-Wilson has been announced as the winner of the 2016 Digital Portraiture Award for his submission titled Charles.
It’s an art historical convention that there is a difference between nudes and naked bodies. Nudes (both male and female) are meant to be pure idealised form, devoid of salacious overtones.
In the absence of words, visual correspondence facilitated an exchange between artists Julian Martin and Matlock Griffiths.
No.1 Neighbour: Art in Papua New Guinea 1966-2016 offers PNG’s “cultural expression, giving us insight into the history of contact, and the ongoing strength of kastom (customary law, religion and government).”
Artist Danie Mellor has been announced as the recipient of the 2016 Australia Council Fellowship for the Visual Arts.
Artists Mikala Dwyer (NSW) and Michelle Nikou (SA) have been announced as the recipients of the inaugural $20,000 NAVA Visual Arts Fellowship.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at the 2024 Venice Biennale was a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead. kith and kin is now on display at QAGOMA, Brisbane, until 18 October 2025.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
In her solo exhibition at the Art Gallery of New South Wales, Raquel Caballero imagines L Frank Baum’s wonderful world of Oz in full, glittering technicolour.
