As Long as the Night is Dark
As Long as the Night Is Dark is a fantasy project for curator Simon Pericich.
As Long as the Night Is Dark is a fantasy project for curator Simon Pericich.
Currently showing at Griffith University Art Gallery, Red Green Blue is a three-part exhibition series that explores the moving image in Australia from the 1970s to the present.
Peter Powditch is not one to do things by halves; now several shows pay dues to the mark he’s left on Australia’s psyche.
Melinda Schawel’s work is ambiguous in interpretation. On the one hand, her drifting images bring to mind the trajectory of stars, geography, mapping; on the other hand, a macro view of some organism, or even molecular structures.
Steve Dow spoke to Julie Rrap as she was preparing for the show, Under the Sun: Reimagining Max Dupain’s Sunbaker.
The most recent recipient of the Contemporary Art Tasmania’s Curatorial Mentorship Program, Emily Bullock, has curated Passages, a mixed media exhibition that includes six artists from the UK and Australia whose works map the experiences, both subjective and sensory, that connect us to people and places.
Melbourne-based artist Tomislav Nikolic has won the $80,000 2017 Bulgari Art Award.
Melbourne is the next destination for the immersive work EXIT that visually maps the intricacies of globalisation.
Elvis Richardson is known as a feminist artist and activist. But when she met writer Anna Dunnill they discovered that they both also have a passion for crime, or at least detective stories.
This exhibition sees Van Gogh’s struggle with questions of life. The seasons are allegorical – reaping and sowing, represent growth in life and death in harvest. In particular, wheat fields, olive and cypress trees were frequent subjects that allude to this cycle.
To celebrate the 100th anniversary of Sidney Nolan’s birth, the National Gallery of Victoria are currently displaying Nolan’s Wimmera paintings.
In a show of collective solidarity, 14 artist-led and cross-disciplinary organisations around Australia have gotten together to form All Conference, a platform that aims to support and articulate the value of artist-run and experimental organisations.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
A search for beauty is behind Skin tight, the first solo exhibition in Australia for the American artist Tschabalala Self, whose works (on view at ACCA) seek to alter the power dynamic between viewer and subject.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at the 2024 Venice Biennale was a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead. kith and kin is now on display at QAGOMA, Brisbane, until 18 October 2025.
Marking the Newcastle Art Galleries reopening with a large-scale commission for the windows on Derby Street, Maggie Hensel-Brown’s new commission is on display from 26 September.
