Deidre But-Husaim: Bees, Curiosity and Coincidence
South Australian writer Zoe Freney met with painter Deidre But-Husaim to talk about their shared interest in the potential of bees, both practical and metaphorical.
South Australian writer Zoe Freney met with painter Deidre But-Husaim to talk about their shared interest in the potential of bees, both practical and metaphorical.
Congratulations to Mitch Cairns who has taken out the 2017 Archibald Prize for portraiture with his painting of partner, and fellow artist, Agatha Gothe-Snape.
The End of Time. The Beginning of Time, which closed in June, was the final show at Gertrude Contemporary in the street that gave the art gallery its name.
For her solo show Blood on Silk: Last Seen Davies has used 800 square metres of handmade silk paper to kit-out the Casula Powerhouse Arts Centre turbine hall, transforming the space into five makeshift hospital rooms.
It was Walter Benjamin who said that artworks have an aura: a quality to do with imagined closeness to the artist.
Congratulations to Australia photomedia artist Pat Brassington who has won the inaugural Don Macfarlane Prize.
Frank Lloyd Wright’s suburban dream of Broadacre City is the nightmare within which many of us in the developed Western world now seem to live.
Featuring more than 60 artists across 25 galleries and museums, the one-night-only event aims to forge new contexts, relationships and experiences for artists and audiences.
In the tales of popular culture, if a character encounters an interactive robot the occasion generally brings about one of two reactions: it’s either a wondrous, life-affirming moment, or it evokes total existential terror.
The theme for the next Biennale of Sydney (BoS), due to be held 16 March – 11 June 2018, has been announced.
Congratulations to Indigenous artist Peter Mungkuri who has won the inaugural Hadley’s Art Prize.
That unwieldy and shapeshifting beast, the artist-run initiative, comes in myriad forms and structures, all lumped into one handy pen for the ease of grant panels.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
A search for beauty is behind Skin tight, the first solo exhibition in Australia for the American artist Tschabalala Self, whose works (on view at ACCA) seek to alter the power dynamic between viewer and subject.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
