Yayoi Kusama
Complex and committed, international art star Yayoi Kusama lights up Queensland’s Gallery of Modern Art with Life is the Heart of a Rainbow.
Advertisement
Advertisement
Complex and committed, international art star Yayoi Kusama lights up Queensland’s Gallery of Modern Art with Life is the Heart of a Rainbow.
Bringing together artist run initiatives (ARI’s) from Australia and New Zealand, Hobiennale (HB17) aims to celebrate and strengthen their place in the art ecosystem, and add another dimension to Hobart’s art scene.
Standing in front of Leora Sibony’s Industrial Relations at Lismore Regional Gallery it is hard not to be reminded of some of the Dada-infused German art of the 1920s.
Claire Lambe has won the Darebin Art Prize 2017 for her photographic work, She never speaks about herself, she could be anything.
South Australian contemporary art space, ACE, spotlights the strength of women and enduring culture in Next Matriarch.
Spanning a 40 year career, Jenny Watson’s self-reflective blend of rebellion, nostalgia and symbolism comes to Heide Museum of Modern Art.
Bronze trees on a pallet, neon targets, stuffed birds, and contemporary daguerreotypes all appear in Not Niwe Not Nieuw Not Neu at 4A Centre for Contemporary Asian Art.
Juz Kitson’s latest exhibition, Shifting Manifestations at GAGPROJECTS, extends her ongoing exploration into both elegance and abjection.
Pipilotti Rist sets a surreal scene for Australian audiences in Sip my Ocean.
Jonathan Jones has been honoured as the second annual Create NSW Visual Arts Fellow.
With a practice steeped in controversy, Robert Mapplethorpe’s work is crisp, often confronting, and occasionally revelatory.
Community and place are the central focus of Home is where the heat is. Held at Canberra Glassworks, the exhibition celebrates this multi-functional centre’s 10th anniversary.
Running for just two weeks across various locations in greater Walyalup, the Fremantle Biennale: Sanctuary, seeks to invite artists and audiences to engage with the built, natural and historic environment of the region.
To mark the presentation of Nan Goldin’s The ballad of sexual dependency at the Bank Art Museum Moree, Jonno Revanche reflects on the power of the landmark photographic series—and the way the work’s visceral portrayal of subjects that have survived the narratives our culture has imposed on them—has endured.
In her major touring solo exhibition Red Flags, currently at Ararat Gallery TAMA, Wadawurrung artist Kait James takes aim at the ongoing commodification of Indigenous culture. She talks to Jane O’Sullivan about kitschy calendar tea towels, souvenir pennants and why she finds it easier to say harsh truths with a little humour.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
In the paintings of Yugambeh poet and artist Lionel Fogarty, dynamic words spill across the canvas and suggest a new way of reading, writing and approaching poetry in his new solo show, Burraloupoo at Darren Knight Gallery in Sydney.
