China: Grain to Pixel
Monash Gallery of Art presents the largest survey of Chinese photography ever held in Australia.
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Monash Gallery of Art presents the largest survey of Chinese photography ever held in Australia.
From Goethean science, mapping energy fields, to analysing the success of a beetroot crop, Smuts- Kennedy is rigorous in her inquiries.
Local and Korean artists pick through environmental degradation, disaster and detritus in New Romance: Art and the Posthuman.
Ben Quilty is both an artist and an activist. And he’s done apologising for it.
Anthes and Gallo ask the public to donate materials, any materials, be it a bottle cap that they found on the street, a cup of coffee or a once-cherished, now disused, record player.
Ballen came to Sydney to create a site specific work for his latest survey show, Roger Ballen’s Theatre of the Mind. Tracey Clement met with him and asked him about his life and work.
Curated by Helen Hughes and Spiros Panigirakis with the full support of the station itself, the exhibition blurred the lines between museum-style exhibits and newly created artworks.
Varga’s photograph, Marking Time, was made without the aid of a camera.
“I would have been in mortal misery all my life for fear my wife might say, ‘That’s a pretty little thing,’ after I had finished a picture.”
The Nolan slates are rapidly executed small paintings on irregularly-shaped broken tiles, salvaged from a building site close to Sidney Nolan’s Melbourne studio in the early 1940s. They have extraordinary power, especially for such small works.
Rather than throwing everything into a stack and seeing if it sticks, Gupta builds his stacks in a deliberate, loaded manner whereby the process says as much as the result.
Torrid and tempestuous, Mexican artists Frida Kahlo and Diego Rivera’s personal relationship produced influential works that were as self-referential as they were ostensibly surreal.
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
In her latest exhibition at Plimsoll Gallery, Janine Combes uses her background as a jewellery maker to create a body of work inspired by abandoned towns once marked for settlement in Tasmania.
In two new exhibitions at the Art Gallery of New South Wales, René Magritte and Cao Fei speak to each other across cultures and eras about the way that perception can unsettle reality—and the places the real intersects with the surreal.
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.
