China: Grain to Pixel
Monash Gallery of Art presents the largest survey of Chinese photography ever held in Australia.
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Monash Gallery of Art presents the largest survey of Chinese photography ever held in Australia.
From Goethean science, mapping energy fields, to analysing the success of a beetroot crop, Smuts- Kennedy is rigorous in her inquiries.
Local and Korean artists pick through environmental degradation, disaster and detritus in New Romance: Art and the Posthuman.
Ben Quilty is both an artist and an activist. And he’s done apologising for it.
Anthes and Gallo ask the public to donate materials, any materials, be it a bottle cap that they found on the street, a cup of coffee or a once-cherished, now disused, record player.
Ballen came to Sydney to create a site specific work for his latest survey show, Roger Ballen’s Theatre of the Mind. Tracey Clement met with him and asked him about his life and work.
Curated by Helen Hughes and Spiros Panigirakis with the full support of the station itself, the exhibition blurred the lines between museum-style exhibits and newly created artworks.
Varga’s photograph, Marking Time, was made without the aid of a camera.
“I would have been in mortal misery all my life for fear my wife might say, ‘That’s a pretty little thing,’ after I had finished a picture.”
The Nolan slates are rapidly executed small paintings on irregularly-shaped broken tiles, salvaged from a building site close to Sidney Nolan’s Melbourne studio in the early 1940s. They have extraordinary power, especially for such small works.
Rather than throwing everything into a stack and seeing if it sticks, Gupta builds his stacks in a deliberate, loaded manner whereby the process says as much as the result.
Torrid and tempestuous, Mexican artists Frida Kahlo and Diego Rivera’s personal relationship produced influential works that were as self-referential as they were ostensibly surreal.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
