Queer Aboriginal voices are loud and proud in Black Magic
Black Magic explores queer Aboriginality from a critical perspective with a playful approach.
Black Magic explores queer Aboriginality from a critical perspective with a playful approach.
Born in Johannesburg in 1972, Breitz, who now lives and works in Berlin, is renowned for her anthropological studies of the cult of celebrity, pop culture, the frame of identity, and representation.
Rather than represent a single viewpoint of the bush, Walker has developed a way to express a fugue-like structure – a set of interwoven elements to invoke being in place.
Tupou is known for his interest in pattern and repetition and vibrant images, originally inspired by his explorations of family, culture and identity in the Pacific.
Phillip England is a former population geneticist with the CSIRO. He took up photography five years ago and most of his images are produced with a large bellows camera.
Along with Stuart Bailey, Wendy Murray has co-curated Fresh Blood: Redback Graphix and its Aftermath at the Casula Powerhouse.
Exquisite, faintly ominous ceramic objects merging plants and insects are at the centre of Angela Valamanesh’s exhibition Everybody’s Everything: Insect/Orchid.
When contemporary artists were sent on a two-week residency to the seaside town of Portsea, they found both splendour and darkness.
During his lifetime Alun Leach-Jones influenced many younger artists and had more than 82 solos shows. In May 2018 Nicholas Thompson Gallery in Melbourne will hold a memorial exhibition of the new paintings the artist was working on when he died.
A collaboration between Sydney’s Artspace and London’s Institute of Contemporary Art – Helen Johnson’s Warm Ties paints a confronting picture of Australia’s colonial legacy.
Art’s gatekeepers have given colour a bad rap. Katharina Grosse seeks to rehabilitate the audience from the effects of chromophobia.
Exhibiting painting and sculpture by contemporary Australian artists, Unreal City includes works by Tarik Ahlip, Bonita Bub, Mitch Cairns, Lewis Fidock, Thomas Jeppe, Anna Kristensen, Sanne Mestrom and Joshua Petherick.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Drawn from the Cruthers Collection of Women’s Art at the University of Western Australia (UWA), Lawrence Wilson Art Gallery’s show Place Makers, reframes the artists—who just happen to be female.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
