A low-grade anxiety simmered under the surface in The Fraud Complex, perhaps a pre-emptive emotion, as Next Wave was dealt a blow with the loss of its Australia Council funding.
The Uncanny Valley is an alchemical and vibrant exhibition pondering the complexities of existence.
The title of Julia Robinson’s latest body of work, The Song of Master John Goodfellow, refers to French Renaissance writer Francois Rabelais’s notorious satirical novels The Life of Gargantua and of Pantagruel.
The Australian Experimental Art Foundation (AEAF) and the Contemporary Art Centre of South Australia (CACSA) will amalgamate.
Ari Athans began her professional life as a working geologist and these concerns permeate her paintings.
Rather than focusing on the object of the photograph, Jafri takes on the subjectivity of a topic that, historically, has been deemed rather concrete: the days of national independence from colonial powers around the world.
Contemporary Italian artist Francesco Clemente transforms Carriageworks into an opulent village.
Western Australian artist Miriam Stannage has spent a lifetime interrogating the world through her camera.
For the first major survey of contemporary Australian painting in a decade, the Australian Centre for Contemporary Art took an unexpected curatorial cue.
Refugees at Casula Powerhouse sheds light on to one of the most highly publicised areas of Australian politics: the ongoing refugee crisis.
Dug and Digging With is the result of a 12-month collaboration between emerging curators Katie Barber and Stan Mahoney and seven visual artists, writers and theorists whose practices are process-based and research-driven.
Melbourne-based Richard Lewer has taken out the fifth and final Basil Sellers Art Prize.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
