Hilarie Mais
The work of Hilarie Mais presents an uncommon combination: the geometric and abstract married – unexpectedly, successfully – with the atmospheric and the organic.
The work of Hilarie Mais presents an uncommon combination: the geometric and abstract married – unexpectedly, successfully – with the atmospheric and the organic.
The Corsini Collection narrates an influential Florentine family’s story from the Renaissance through to its astonishing modern history.
The program for the 2018 Melbourne Art Fair has been announced. This year the fair has been divided into three broad categories. The biggest part of the show will be the Galleries section with 40 contemporary art galleries from Australia, New Zealand and Southeast Asia participating.
Immigration, displacement and memory are the impetus for a new series of embroideries by Adelaide-based artist Nina Frigault.
Congratulations to Sydney-based artist Travis De Vries who has been awarded the $50,000 NSW Aboriginal Arts Fellowship.
From Berlin to Melbourne – history, place and the provenance of everyday materials tie together the practice of Catherine Evans.
Caz Haswell presented cunning facsimiles of ordinary things; she rendered the familiar strange and invoked the eerie and the uncanny.
In An unorthodox flow of images at the Centre for Contemporary Photography, the arrangement of the exhibition mirrored the title.
Working between 1988 and 2005, Çerkez’s practice is heavily conceptual, containing doses of minimalism and the aesthetics of late modernism.
The work of artist Fayen d’Evie prompts us to consider how we encounter, describe, understand and create art.
The six medieval French tapestries known collectively as The Lady and the Unicorn cycle are a conundrum.
Monika Behrens paints still-life arrangements from a psychedelic dreamscape.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
In the last 25 years, there have been few themes as omnipresent as the environment, especially when we look at Australian art. Join us as we revisit pieces from our archive that track artists’ ongoing fascination with the natural world and its changing landscape.
