Antipodean Emanations: Cameraless photographs from Australia and New Zealand
There’s a rich and long history behind cameraless photography yet it continues to beguile, and recently, divide the public.
There’s a rich and long history behind cameraless photography yet it continues to beguile, and recently, divide the public.
ACE Open will exhibit Waqt al-tagheer, a show which ponders temporality while amplifying the voices of Eleven, a new collective of Muslim Australian artists.
Landing in Bendigo following a lengthy tour of Japan, Marimekko: Design icon 1951–2018, documents the 60-year story of the seminal Finnish label.
Dark Imaginings: Gothic Tales of Wonder spans rare books and music, and further includes prints by Henry Fuseli, Salvator Rosa, G.B. Piranesi, Francisco Goya and Charles Méryon.
The National Gallery of Victoria has confirmed that Wilson Security will no longer provide services to the institution.
Present, curated by writer/curator Kate Britton (who is also the director of Art Month Sydney), brings together a group of unrepresented artists: Kalanjay Dhir, Caroline Garcia, Get to Work, Samuel Hodge, Claudia Nicholson, and Athena Thebus.
The genesis of the group exhibition Slide Show was a box of slides found by the artist Elly Kent in a deceased estate sale.
As the 2017 Research Fellow at MAAS (the Museum of Applied Arts and Sciences), Sydney-based artist Kate Scardifield had access to a treasure trove of antique scientific equipment, charts and archival material.
A fascination with distorting the grid underpins both current exhibitions at Flinders Lane Gallery: Zero Zero Zero by Richard Blackwell and Particle Fever by Dion Horstmans.
It’s no secret that museum and gallery visits positively benefit kids; teamLab’s Future Park takes it to the next level.
The New Alchemists are “Some of the most engaging artists working internationally in the cutting-edge fields of art and science today”
If you ask Dana Lawrie about the title of her latest show Grasp The Nettle, the artist replies, “It’s about approaching something unpleasant, but approaching in a way that’s brave. It’s about doing something as a way of accepting a certain thing, or learning more about it.”
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Marking the Newcastle Art Galleries reopening with a large-scale commission for the windows on Derby Street, Maggie Hensel-Brown’s new commission is on display from 26 September.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
Offering a “new kind of hope,” Jacobus Capone’s solo show, End & Being, is the inaugural exhibition at the National Centre for Environmental Arts in Halls Gap.
