The show features new commissions as well as recent and historical works by more than 30 local Indigenous artists, celebrating the continuing vitality of First Nations’ communities.
While the thought of our impending demise makes most of us uncomfortable, Suzanne Archer looks at death with curiosity and a dark twist of humour.
The honeymoon was already over at The Honeymoon Suite, with wandering hands during its inaugural show, Rose coloured glass.
Practice makes perfect, but that doesn’t make it any easier. Kate Rohde has spent the past 10 years or so honing what she has described as a “hyperactive” practice.
Ella Barclay is a kind of techno-alchemist. She is known for her immersive installations in which computer wires, water, mist and diodes are transformed into pulsing organisms.
A major restoration program at Versailles has allowed a number of significant objects to travel from France to Australia for the first time.
Salote Tawale has been awarded the inaugural Arts NSW Visual Artists Fellowship. Tawale was selected from a shortlist of six NSW artists which also included: Khadim Ali, Linda Dement, Karla Dickens, Bianca Hester and Hiromi Tango.
Soda_Jerk, a two-person art collective formed in Sydney in 2002, has been awarded the Ian Potter Moving Image Commission (IPMIC).
Australian sculptor Bronwyn Oliver (1959-2006) was a quiet overachiever. Her works are displayed in some of the most prominent public spaces around Australia, housed in many private and public collections, and on display inside some of Australia’s most-visited buildings.
For French artist Philippe Parreno, the show is itself art-in-progress, not merely a vehicle to display discrete works.
Amiel Courtin-Wilson has been announced as the winner of the 2016 Digital Portraiture Award for his submission titled Charles.
It’s an art historical convention that there is a difference between nudes and naked bodies. Nudes (both male and female) are meant to be pure idealised form, devoid of salacious overtones.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
In his latest exhibition at Perth Institute of Contemporary Art, Jack Ball challenges the extractive history of the archive while searching for shapes that can articulate the complexity of trans life.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
