Brodie Ellis explodes The Crystal World
Brodie Ellis’s video work, A Crystal World, 2016, cuts together footage of Australian mining explosions, sourced online, into a slow motion sequence.
Brodie Ellis’s video work, A Crystal World, 2016, cuts together footage of Australian mining explosions, sourced online, into a slow motion sequence.
A collection of full-scale concrete barriers, painted in Yves Klein’s trademark blue, rest in an untidy pile on a gallery floor.
A unique and unprecedented collaboration between four galleries in the Hunter region, the Hunter Red suite of exhibitions aims to celebrate the Indigenous culture, social diversity, iconoclastic spirit and creative flamboyance of this growing area of NSW.
This year John Mawurndjul, from Arnhem Land, NT, and Mavis Ngallametta, from the Aurukun community, Qld, both received Red Ochre Awards.
Albert began as a trainee at the Queensland Art Gallery 17 years ago. His success was propelled by membership of proppaNOW – a Brisbane-based art collective. And he is eager to reciprocate the favour.
“Art has always served as a record of our cultural lives,” says artist Jane James when explaining the larger ideals behind her work.
John Young has embraced the potential of technology, even while continuing to paint the old-fashioned way – very carefully.
Hayley Megan French paints landscapes that express, via abstraction and minimalism, a connection to place.
Melbourne-based artist Linda Tegg has joined forces with Baracco+Wright Architects as creative directors for the Australian pavilion in the 2018 Venice Architecture Biennale. The project, titled Repair, features thousands of native Australian grasses. Tracey Clement spoke with the artist while she was in Venice preparing for the grand opening.
A group exhibition at Monash University Museum of Art examines the divide between architectural spaces of global power, and the most precarious of structures.
The annual Hatched National Graduate Show showcases works by talented recent art school graduates from around the country.
Sydney-based artist Tina Havelock Stevens has won the 65th Blake Prize for her performance video work, Giant Rock, 2017.
NAP Contemporary’s group show, The Elephant Table, platforms six artists and voices—creating chaos, connection and conversation.
Key artworks from the East Kimberley Art Movement have been restored and are on display in Ride on, shine on at the South Australian Museum.
By reducing barriers to entry, a Western Australian art prize fosters a freer approach to artmaking—and invites more experimental practices to take centre stage.
Mundamurra Ngijinda Dulk—My Island Home at Cairns Art Gallery, is a landmark exhibition dedicated to the late Mirdidingkingathi Juwarnda Sally Gabori, one of the most singular voices in Australian contemporary painting.
In the paintings of Yugambeh poet and artist Lionel Fogarty, dynamic words spill across the canvas and suggest a new way of reading, writing and approaching poetry in his new solo show, Burraloupoo at Darren Knight Gallery in Sydney.
In its 24th year, Australia’s most prestigious award for small-scale sculpture has announced its winners for 2025, with the 54 finalists now on display at Woollahra Gallery at Redleaf.
