Designwork #1
To coincide with Melbourne Design Week, Sophie Gannon Gallery will present Designwork #1, an annual curated exhibition at the gallery’s Richmond premises.
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To coincide with Melbourne Design Week, Sophie Gannon Gallery will present Designwork #1, an annual curated exhibition at the gallery’s Richmond premises.
Women in maritime history have something in common with the structure of icebergs. Their presence is marked only by what skims the surface. Explore the depths and the reality is clear: what we see is only part of the story.
Georgia O’Keeffe, Margaret Preston and Grace Cossington Smith were Making Modernism.
Sydney Ball was a guiding hand and mentor for the gallery and its younger artists, says Strumpf. “We loved him; he was part of our family. He was always there for counsel, and he forged some beautiful friendships with some of our artists.”
Rebecca Gallo spoke with Janet Dawson about her impressions of these major shows, her experience in a male-dominated art world, and the beauty and pleasure of good abstract art.
The idea of sleep as a communal activity, rather than a private daily obligation, is what underscores Matthew Bird’s interactive installation Dormitorium.
A sprawling exhibition sees 20 bronze sculptures by Rodin form the axis for a cross-historical dialogue on the body.
Charles Blackman’s well-known Schoolgirls paintings are coming together for the very first time.
A US-curated exhibition finds a home in Adelaide, where it examines the human impact on the world’s oceans.
His story has been told numerous times across media – often with just a lingering hint of incredulity. Julian Meagher completed a medical degree before embarking on a career as a painter.
Brenda May started in 1985 with Access Contemporary Art Gallery. Now she is launching her third gallery, May Space.
Span brings together five artists based in Perth and Fremantle, to examine movement and distance.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
Melbourne-born figurative artist and ceramicist Rob McHaffie takes a global view of human idiosyncrasy. His biggest exhibition to date, now showing at Bendigo Art Gallery, covers over a decade of his painting practice.
Heide Museum of Modern Art’s summer blockbuster exhibition is unveiling the breadth and beauty of Italian modernism through design. With over 170 objects spanning sixty years, Molto Bello explores the cultural impact of this period of creativity and invention.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
