Castlemaine Art Museum to remain open
Two private donors have stepped forward to pledge money to ensure Castlemaine Art Museum will remain open to the public.
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Two private donors have stepped forward to pledge money to ensure Castlemaine Art Museum will remain open to the public.
Throughout August the SALA Festival will present the work of 6282 artists across 560 venues in Adelaide and the surrounding regions.
For its first exhibition, Science Gallery Melbourne is filling the Frank Tate Building with blood. Or, more actually, artworks which respond to the red stuff.
Future Eaters at Monash University Museum of Art considers not only what it means to make sculpture in our current digital age, but how sculpture connects to technology and the future.
South Australian writer Zoe Freney met with painter Deidre But-Husaim to talk about their shared interest in the potential of bees, both practical and metaphorical.
Congratulations to Mitch Cairns who has taken out the 2017 Archibald Prize for portraiture with his painting of partner, and fellow artist, Agatha Gothe-Snape.
The End of Time. The Beginning of Time, which closed in June, was the final show at Gertrude Contemporary in the street that gave the art gallery its name.
For her solo show Blood on Silk: Last Seen Davies has used 800 square metres of handmade silk paper to kit-out the Casula Powerhouse Arts Centre turbine hall, transforming the space into five makeshift hospital rooms.
It was Walter Benjamin who said that artworks have an aura: a quality to do with imagined closeness to the artist.
Congratulations to Australia photomedia artist Pat Brassington who has won the inaugural Don Macfarlane Prize.
Frank Lloyd Wright’s suburban dream of Broadacre City is the nightmare within which many of us in the developed Western world now seem to live.
Featuring more than 60 artists across 25 galleries and museums, the one-night-only event aims to forge new contexts, relationships and experiences for artists and audiences.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Heide Museum of Modern Art’s summer blockbuster exhibition is unveiling the breadth and beauty of Italian modernism through design. With over 170 objects spanning sixty years, Molto Bello explores the cultural impact of this period of creativity and invention.
