Patricia Piccinini and Joy Hester: Through Love…
The latest exhibition at the TarraWarra Museum of Art, combines key moments in Patricia Piccinini’s oeuvre, shown among the all-consuming and devastating emotions in Joy Hester’s works on paper.
The latest exhibition at the TarraWarra Museum of Art, combines key moments in Patricia Piccinini’s oeuvre, shown among the all-consuming and devastating emotions in Joy Hester’s works on paper.
Slipping between questions of constructed identity and culture, the agenda proposed by South/East Interference Vol. 2 is a bold and critical one.
The work of the renowned American artist Adrian Piper will be presented alongside Amrita Hepi, a rising star in contemporary Australian performance art.
As urbanised humans are increasingly distanced from the means of food production, the choice of what and how we eat becomes a political act.
Adorn explores how items we put on our bodies are invested with meaning – not only by their creators, but by the people who wear them. The result is a series of stories as varied as the individuals who wear the objects.
Curiouser and Curiouser takes that classic of absurdity and perceptual play, Alice’s Adventures in Wonderland, as its starting point.
“It was blunt but to the point: is the art world full of posers? I had to think about that for a second…”
The truth is often a bitter pill. As Australian history is re-examined, Judy Watson brings her artistic sensitivity and intimate knowledge to it.
Wegman’s portraits are more than just uncanny curios. He treats each of his subjects with the kind of respect that is typically afforded to a human sitter, and the kind of candour that is only afforded to man’s best friend.
Family and national history are tied up for Phuong Ngo, who has amassed an archive tracing Vietnam’s tumultuous past.
Both Frida and Diego were productive and intensive artists, so they collected photographs as iconography to paint from.
In These Hands expands into a broad survey, marking out the diverse practices of some 28 living Ernabella painters, ceramicists, punu (timber) workers and weavers working with tjanpi desert grass.
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
A search for beauty is behind Skin tight, the first solo exhibition in Australia for the American artist Tschabalala Self, whose works (on view at ACCA) seek to alter the power dynamic between viewer and subject.
NAP Contemporary’s group show, The Elephant Table, platforms six artists and voices—creating chaos, connection and conversation.
In its 24th year, Australia’s most prestigious award for small-scale sculpture has announced its winners for 2025, with the 54 finalists now on display at Woollahra Gallery at Redleaf.
