Modest Master
Robert Klippel mixed with the greats and is regarded as one of their number. Here we see the humble face of the sculptor.
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Robert Klippel mixed with the greats and is regarded as one of their number. Here we see the humble face of the sculptor.
Sydney Contemporary is going annual this year. In its third iteration, the event is set to be “wonderful and varied” says Sydney Contemporary CEO and director, Barry Keldoulis, who describes this year’s line-up as the strongest to date.
Esther Anatolitis is NAVA’s new Executive Director.
Taken all together, Can’t Touch This is an ode to the provocative power and diversity of contemporary textile practices.
Women aren’t objects and girls have power. These are the overarching statements being made by two new exhibitions at ACE Open. Featuring video and ceramic works by Margaret Dodd, alongside an experimental documentary by Kate Blackmore, the shows collectively explore the complex relationships between suburbia and womanhood.
Melbourne-based photographer and videographer Isaebella Doherty has won the $5000 non-acquisitive Maggie Diaz Photography Prize for Women for a black and white portrait of her sister titled Pearl.
After three exhibitions, Leah and Charles Justin are handing over their floor space to Canberra-based couple Susan Taylor and Peter Jones.
Tastes Like Sunshine speaks to our changing relationship with food, the social attitudes which experiment with its use, the fashion which directs the way it is promoted and consumed, and its central importance as sustenance.
“There are no fixed rules about what form this exhibition can take,” says TarraWarra Museum of Art’s director Victoria Lynn of the TarraWarra International.
Finding herself fatigued by art’s pursuit of endless innovation, Myriam Mechita’s research took an alternative turn.
Tega Brain’s peculiar projects ask: Can art fix the environment? Would you choose a partner based on their scent? Can laundromats feed a wetland?
Kylie Stillman’s work addresses big issues, such as the environment, in an intricate, delicate way. Her work is an invitation to pause, interact and reflect on our relationship with nature.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
In her audacious new exhibition, the Filipina Australian artist Marikit Santiago skewers the myths of the western canon and give pleasure and power—as experienced by women of colour—an arresting new form.
You’re Welcome?, a group exhibition at Verge Gallery, complicates this country’s well-worn narratives of inclusion and exclusion, while playfully exposing the rules that shape what it means to belong.
For Dane Mitchell, Slvalbard—a mysterious archipelago north of the Arctic circle—gives the tensions that shape our ecological moment a new and intriguing form.
