Storygraph
Through the medium of comic art, StoryGraph offers a portrait of various aspects of Australian life, from policy and governance to small communities and services.
Through the medium of comic art, StoryGraph offers a portrait of various aspects of Australian life, from policy and governance to small communities and services.
Congratulations to Tamara Dean who has won the $50,000 Moran Contemporary Photographic Prize (MCPP) for 2019. Dean’s colour underwater photograph, Endangered, was selected from a pool of 30 finalists.
When Angelica Mesiti debuted her acclaimed 2012 video work Citizen Band at the Australian Centre for Contemporary Art, then-director Juliana Engberg told her quietly at the opening, “I’m going to take you to Venice.” It took a few years, but Engberg was true to her word.
Colour is an ongoing preoccupation for Lara Merrett, and the paintings for Flip side are steeped in it.
Anita Cummins has won the $50,000 Schenberg Art Fellowship for recent art school graduates.
“Duchamp is one of the great iconoclasts of the 20th century,” says Nicholas Chambers, coordinating curator of The Essential Duchamp.
Hazara artist Elyas Alavi’s practice is motivated by poetry, the masks a survivor wears and the plight of those left behind.
James Powditch’s new exhibition Codakhrome explores the fragility of memory.
What is drawing? According to the catalogue for its 21st iteration, the Dobell Drawing Prize has always invited this query. It seems like a simple question, but in Dobell Drawing Prize #21 the answer was convoluted.
Melbourne artist Kevin Chin was on a residency in Yellowstone National Park in the US when Donald Trump was elected in 2016. In an increasingly partisan America he started on his latest series of paintings, Structural Equality.
American artist Asad Raza creates a new site-specific work for Kaldor Public Art Project 34 at Carriageworks.
Ceramic artist Mirjana Dobson is deeply inspired by Haeckel’s drawings and her work mimics the organic forms of ocean plants and animals, particularly those found in coral reefs.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways.
Ahead of her solo exhibition at Niagara Galleries, Vongpoothorn contemplates the ideas sprouted during her residency, and how they have transformed once returned to her Canberra studio.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
