Vincent Namatijira wins $100,000 Ramsay Art Prize
This year, the winner of the $100,000 Ramsay Art Prize is artist Vincent Namatjira, for his double-sided portrait work titled: Close Contact, 2018.
This year, the winner of the $100,000 Ramsay Art Prize is artist Vincent Namatjira, for his double-sided portrait work titled: Close Contact, 2018.
Jacob Raupach has directed his gaze at the rail corridor between two places he has lived – Wagga Wagga and Albury/Wodonga – both en route between Melbourne and Sydney.
A mass installation and drawings by contemporary Chinese artist Cai Guo-Qiang encounter the Terracotta Warriors and other ancient treasures.
In Gaia not the Goddess, an installation of sculptural objects packed tightly into the project space at Heide Museum, Isadora Vaughan continues her exploration of materials creating a speculative environment.
Three works by Katthy Cavaliere made in Goulburn chronicle the idiosyncrasies of place with the insight of a singular vision.
The use of his own body may be a convenient framework for Christian Thompson, but it also implies an emotional and personal investment that lends his work power and immediacy.
Revealed provides fertile ground for emerging Indigenous artists to exchange ideas, showcase diverse practices and sell work.
Prima Materia considers the transformation of matter—from older ideas around alchemy and mysticism to contemporary issues of dispossession and environmental change.
The term ‘visual art’ tends to preclude further ways of experiencing work but in Vis-Ability, careful research and curation have expanded the scope of ‘seeing’ art.
Keg de Souza’s wildly colourful installation at Griffith University Art Museum, Common Knowledge and Learning Curves, occupies multiple registers.
Currently showing at Muswellbrook Regional Arts Centre, Salient brings together 12 Australian artists who each spent time at the Western Front in 2017.
Melbourne-based curator and art historian Elizabeth Cross is less known for her own work as an artist, but this identification is shifting with the opening of her exhibition, Arborescent, at the Australian National University’s Drill Hall Gallery.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
This year’s edition of Sydney Contemporary marks the launch of Photo Sydney, a presentation that brings together the country’s most acclaimed photographers and gives the medium —and its relevance to our cultural moment—the attention it deserves.
to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
