Rosemary Laing
Rosemary Laing creates elegant, conceptual photographs that explore cultural and historical notions of place.
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Rosemary Laing creates elegant, conceptual photographs that explore cultural and historical notions of place.
Barnaby Smith spoke to Cigdem Aydemir about the politics of her work, #illridewithyou, and the legacy of Tracey Moffatt.
Margaret Ambridge has won the Prospect Portrait Prize with her drawing What Remains, an enigmatic charcoal work that depicts the imprint of her mother’s head, left on a pillow.
“It’s an oft-repeated truism that the art market is the largest unregulated money market in the world.”
Congratulations to Sarah Goffman who has taken out the $20,000 Still: National Still Life Award with her collection of recycled plastic containers painted to resemble antique Chinese ceramics.
The topic of the 7th Biennale of Moscow, under the curatorship of Yuko Hasegawa, is the age of the Anthropocene with the title Clouds = Forests.
Light Moves has suitably been itinerant since it set off for Darwin from the National Gallery of Australia at the end of 2015. The NGA travelling show is only now reaching its final venue, Wangaratta Art Gallery, recently added thanks to extra funds.
Daniel von Sturmer has been awarded $60,000 for the Urban Sculpture Prize for his light-based installation Electric Light (facts/figures/Federation Square).
For decades, Janet Laurence has probed human relationships with ecology by merging science-based observation and investigation with a visual poetry of alchemy, transparency, beauty and loss.
The idea of a series of Sidney Nolan paintings hanging in a newsagent’s shop window seems rather quaint.
Showcasing the work of its founding members, the exhibition is packed with works from the 1980s up to the present day. The Boomalli Ten feels like a celebration not just of those 10 artists but more broadly of the Indigenous Australian art now flourishing in the post-colonial present.
Amalia Pica was born in Argentina and is currently working in London. Her exhibition at the IMA is to be presented in two parts, but her first solo in Australia is not the beginning of her relationship with Brisbane.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In his latest exhibition at Perth Institute of Contemporary Art, Jack Ball challenges the extractive history of the archive while searching for shapes that can articulate the complexity of trans life.
Melbourne Art Fair has announced its 2025 line up, with 60 galleries and Indigenous art centres slated to feature alongside some major international commissions and public programs.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
