Lynda Draper wins 2019 Sidney Myer Fund Australian Ceramic Award
Lynda Draper has won the fifth biennial Sidney Myer Fund Australian Ceramic Award. The Sydney-based artist took out the $50,000 prize with her 2019 series Somnambulism.
Lynda Draper has won the fifth biennial Sidney Myer Fund Australian Ceramic Award. The Sydney-based artist took out the $50,000 prize with her 2019 series Somnambulism.
Justine Youssef has won the $10,000 John Fries Award for her performative video and installation work Under the table I learnt how to feed you, 2019.
Place, specifically Canberra, and a loose adherence to formalism bring together artists Peter Alwast, Rebecca Mayo, and Nigel Lendon in Unfinished Business.
To augment the visual appeal of his paintings, Dale Frank works directly onto glass and Perspex to capture a reflective element canvas does not offer.
Frankly, living artists are a bore. I prefer dead artists.
It All Started With a Stale Sandwich is a documentary about the 50-year history of Kaldor Public Art Projects, made by London-born, Sydney-based film director Samantha Lang.
Perhaps, after seeing Papier Mâché for Beginners, people in Perth will see our ‘Cactus’ in a different light.
Exploring the semiotics and aesthetics of a retail workplace, Mixed Emotions consists of 2,157 labels that adhere to commercially sold tins of paint, indicating the colour mix, ingredients and date and time of mixing.
It’s a big jump from Australia to an island in the Baltic Sea. During 2017 and 2018 the London-based Australian artist Sam Smith visited the Swedish island of Gotland as part of an artist exchange organised by Western Australia’s International Art Space.
With Convergence II, Monika Lukowska and Melanie McKee endorse a kind of art practice in which studio endeavour and everyday life are conflated.
Local and international artists create fine-drawn moments of memory and existence at TarraWarra International.
Monet: Impression Sunrise is a chance to reflect on the vagaries of history.
NAP Contemporary’s group show, The Elephant Table, platforms six artists and voices—creating chaos, connection and conversation.
Key artworks from the East Kimberley Art Movement have been restored and are on display in Ride on, shine on at the South Australian Museum.
By reducing barriers to entry, a Western Australian art prize fosters a freer approach to artmaking—and invites more experimental practices to take centre stage.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
