Spending time with Robert Smithson: Time Crystals
Robert Smithson: Time Crystals is not an exhibition that you can take in on opening night.
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Robert Smithson: Time Crystals is not an exhibition that you can take in on opening night.
Five days before the world premiere of Soda_Jerk’s new film-based work, TERROR NULLIUS, the Ian Potter Cultural Trust withdrew its support of the project and requested not to be included in any promotional material surrounding the event.
Infused with urban life, Tanya Goel’s works reference both weaving and the screen, mathematics and memory.
At the helm of the 21st Biennale of Sydney, artistic director Mami Kataoka dives into the archives, calls on her ‘brother’ and puts art activism into perspective.
Cement Fondu, a new multi-disciplinary gallery, has opened in Sydney. Its inaugural exhibition Suburbia celebrates and unpacks the peripheries of the city.
The Australia Council has announced artist Angelica Mesiti and curator Juliana Engberg as the Australian representatives for the 58th Venice Biennale in 2019.
The two-person art collective position TERROR NULLIUS as an unwieldy road movie, using acts of sampling and appropriation to tour through, while also challenging, white Australian cinema and history.
The Glover Prize for landscape painting has been awarded to Halinka Orszulok, a Jameberoo, New South Wales based artist.
The National Gallery of Victoria’s Triennial, a showcase of largely international contemporary art and design, is an exercise in mass spectacle, theatre and immersion.
Kenny Pittock’s work seems relatable and commands us to look at the minutiae of every life. In the latest episode of our conversation series he talks about the organic use of humour in his work, while also touching upon his upcoming drawing residency at Deakin University Art Gallery.
Dreams and the subconscious are themes Joel Crosswell returns to often. His drawings and sculptures reference biographical events with a dreamlike sensibility where abstract elements of the natural world filter through his images.
Visual artists Pat Brassington and Nigel Helyer have both been honoured with awards from the Australia Council in 2018.
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
Bringing together 70 artists from 30 countries, the 11th Asia Pacific Triennial of Contemporary Art fosters connections across cultures and borders, and translates cultural knowledge for the present day.
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
