Steve Dow is a Melbourne-born, Sydney-based arts writer, whose profiles, essays, previews and reviews range across the visual arts, theatre, film and television for The Saturday Paper, Guardian Australia, The Monthly, the Sydney Morning Herald, The Age, Sunday Life, Limelight and VAULT.
Showing in Adelaide, Roger Ballen’s works have caught the world’s attention with their apocalyptic, disturbing and dreamlike air.
The first Sanaa Festival was held in Adelaide in 2017. This year, six African artists are being flown to Australia and more will have work in the Sanaa Exhibition, which is part of the Adelaide Fringe festival.
A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
Both Frida and Diego were productive and intensive artists, so they collected photographs as iconography to paint from.
The $344 million Sydney Modern expansion of the Art Gallery of New South Wales (AGNSW) has been given State Government planning consent, allowing construction of the new building, designed by Japanese architects SANAA, to begin early next year.
The Asia-Pacific region might be an uncertain construct, but Brisbane’s Asia-Pacific Triennial is about knowing our neighbours and ourselves.
Sydney multimedia artist Alex Gawronski and Melbourne-based conceptual art duo Janet Burchill and Jennifer McCamley have been awarded the 2018 fellowships by the National Association for the Visual Arts (NAVA).
The Melbourne-based artist Mirka Mora has died at the age of 90. “Mirka was a central figure in the story of Heide, and in Melbourne’s cultural life,” says Lesley Harding, artistic director of Heide Museum of Modern Art, where Mora’s next exhibition, Pas de Deux – Drawings and Dolls, had already been scheduled to open in October.
Chiharu Shiota returns, interlacing thread to form a phenomenal room-sized installation at the Art Gallery of South Australia.
The Centre for Contemporary Photography (CCP) in Melbourne has appointed Adam Harding as its new director. Community engagement and artists having a voice are two CCP strengths Harding is keen to continue.
As part of a new exhibition, State of the Union, which explores partnerships between trade unions and arts workers, a group of Melbourne artists has launched a project to expose exploitation in the arts in Australia.
GAG Projects presents four compelling artists in this year’s South Australian Living Artists Festival.
