With: Alexandra Copeland, Veronica O’Hehir, James Davis, Geoffrey Ricardo, Brigit Heller, Peter Gardiner, Rohan Robinson, Edward Coleridge, Robert Whitson, Steve Sedgewick, Rimona Kedem.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Working en plein air, Clarice Beckett’s tonalist paintings capture not only the likeness of a place, but how it felt to be there. Revisit our preview of the historical artist, who is now showing at Cairns Art Gallery with work from the 1920s and 30s.
With the perceived necessity of ‘performing the self’ greater than ever, comes questions of what we share or obscure—as James Barth’s art attests at the just-opened ‘18th Adelaide Biennial of Australian Art: Inner Sanctum’ at Art Gallery of South Australia.
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
