Pressing Topics addresses contemporary issues of gender socialisation and equity within the transglobal workforce. The Ironing Maidens have transformed domestic materials and equipment, including irons and ironing boards, into sculptures, installations, and substrates for projection-mapping. These works collectively form an immersive sensory experience, subverting concepts of domestic labour, technology and gender.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
An exact 360º replica of the Mona Lisa and the largest existing collection of Leonardo da Vinci’s unedited drawings and writings. View, in pictures, how THE LUME Melbourne brings the work of Leonardo da Vinci to life.
In marking 20 years of the proppaNOW artist collective, Tony Albert, Megan Cope, Gordon Hookey, Lily Eather, and Warraba Weatherall gathered for an incredibly insightful and honest conversation about contemporary Aboriginal art in Australia today.
Ceremony and radical activism may seem like differing forces, but The 4th National Indigenous Art Triennial is showing us otherwise, centering itself on art, action and change. This touring exhibition is now on display at Western Plains Cultural Centre.
