New work by Chris Hopewell is centred on capturing the flux of movement and energy through successive layers, each tracing the evolving journey of a painting’s creation. Completed compositions serve as time capsules; a vessel to explore and engage with the unfathomable elements of existence.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Shaped by the movement between histories and cultures, the work of Thai-born, Aotearoa-raised artist Sorawit Songsataya draws on mystery and plurality as a means of knowing the world. The artist is now showing at Australian Centre for Contemporary Art and Monash University Museum of Art.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
An exhibition now showing Adelaide Contemporary Experimental—with the likes of Atong Atem, Jacob Boehme and Marikit Santiago—explores the concept of family through the lens of First Nations and culturally diverse artists.
Material concerns such as housing can determine an artist’s wellbeing and sense of possibility—an idea that is often overlooked by romantic ideas of art making that are out of sync with our current reality. How can artists navigate a society in which reliable shelter is elusive? And can art itself help us reimagine what it means to achieve secure footing in an increasingly volatile world? Jo Higgins investigates.
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
