A month-long event exploring the powerful connection between storytelling and art(s). Through exhibitions, workshops, events and a symposium, this dynamic program invites artists, writers, creatives and audiences to engage with the many ways stories leave their mark.
First held in 1990 at Araluen Arts Centre in Alice Springs, Desert Mob is the oldest of Australia’s thriving annual program of Aboriginal art fairs. With its 30th anniversary coming up in September 2020, Kate Hennessy looks back on Desert Mob 2019.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Shaped by the movement between histories and cultures, the work of Thai-born, Aotearoa-raised artist Sorawit Songsataya draws on mystery and plurality as a means of knowing the world. The artist is now showing at Australian Centre for Contemporary Art and Monash University Museum of Art.
For La Trobe University’s Biannual Façade Commission, artist Roberta Joy Rich brings the dark corners of archival material into the light. On the glass frontage of the La Trobe Art Institute in Bendigo, Rich has created a work using sound, image and text to explore the South African diaspora.
Since the 1980s Pat Brassington’s images have entranced the psyche of contemporary Australian art. With a new solo exhibition at Bett Gallery, Brassington gives a rare interview talking about studying art in her thirties, psychoanalysis, and discovering feminism through a wives’ book club.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
