Victoria Cooper and Doug Spowart have worked individually and together as collaborators for over 30 years, creating both artists books and wall works.
Employing the broad palette of photography from experimental to traditional practices, they are interested in movement across natural and social landscapes – the ways of river systems, animal tracks, desire paths and journeying.
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Even though women currently outnumber men in the arts by two-to-one, the industry remains rife with gender disparities from income to accommodating motherhood. So why, asks Neha Kale, is the growing visibility of female-identifying artists falling short of genuine, material change?
The NGV’s Reimagining Birrarung: Design Concepts for 2070 invites eight leading Australian landscape architecture and design firms to reimagine the lands and waters of the Birrarung (Yarra River). View, in pictures, a vision for the future of our waterways.
Congratulations to Hannah Gartside, who has won the 2024 Woollahra Small Sculpture Prize for her work #19, a piece in her ongoing series Bunnies in Love, Lust and Longing, 2024.
