Nicola McClelland relocated to Mildura/Latji Latji Country on the banks of the Murray River in 2021. Her daily walks along the river under the endless blue sky activate new ways of seeing in an environment filled with movement, colour and light. In her studio, specific observations, drawings and photographs of river life form the initial layers of these paintings.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
In a new photography exhibition at the Immigration Museum, Nigerian-Australian photographer Dr Ayooluwatomiwa ‘Ibukun’ Oloruntoba is exploring what it means to be African-Australian, while highlighting the importance of culturally safe spaces for diasporic communities in Australia.
Artists have long been consumed with what we eat, seen appetites as a metaphor for nourishment and vulnerability. But as Lee Tran Lam finds out, the new wave of collaborations between the worlds of art and food signals a growing cultural desire to break down barriers—and forge new connections in unexpected ways.
For Chinese painter Gao Ping, the interplay between shadow and light is as much a symbol of our relationship with history as it is a visual technique. The artist’s latest exhibition Between the Shadow and the Soul, curated by Dr Luise Guest, is now showing at Vermilion Art.
The quietly evocative work of James Tylor reimagines imperial legacies and illuminates a hidden past. Turrangka… In The Shadows, Tylor’s touring retrospective exhibition, is now showing at Mornington Peninsula Regional Gallery.
In an era that is saturated with visual information, photographs that change the way we see the world can feel increasingly elusive. We invited three photographers to choose an image that challenges our assumptions about politics and culture during this historical moment.
