The Art Gallery of New South Wales’s Kandinsky is the largest showcase of the modernist’s work ever to be exhibited in Australia. What makes his abstract expressionism endure?
In a new exhibition at Outer Space, Amy Claire Mills offers a love letter to her disabled and neurodivergent communities by turning cold, hard medical spaces into places of safety and warmth.
From the dark matter that holds the universe together to the smallest of seeds, Sundari Carmody’s art connects the cosmos with the intimate, as a new exhibition at GAGPROJECTS shows.
A new exhibition at Drill Hall Gallery, Pintupi Way, offers a window into thousands of years of culture and survival for the Pintupi people of the Western Desert.
A new exhibition at Geelong Gallery, in partnership with the Art Gallery of South Australia’s Tarnanthi program, tells the stories of the women artists from the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.
Since their radical rise in the 1970s, posters have been used by artists and activists for feminist, political, environmental and cultural issues. As an exhibition at Wagga Wagga Art Gallery attests, today may be no different.
Dapeng Liu juxtaposes painted abstract landscapes with recreations of split-second frames from popular films, news and the internet in his new show at Art Atrium.
Adelaide’s annual Aboriginal and Torres Strait Islander art festival returns, and this year includes the first-ever survey exhibition by Vincent Namatjira, as well as artworks by over 1500 Indigenous artists.
In a new show at Jacob Hoerner Galleries, Alex Hamilton paints urban spaces as vast landscapes.
Vincent Namatjira was the first Aboriginal artist to win the Archibald Prize for his portrait of AFL player Adam Goodes in 2020. This painting, among his wider oeuvre, is showing for his first survey at the Art Gallery of South Australia.
A new SBS documentary investigates the little-known 1986 art heist that saw 26 priceless paintings stolen from a remote monastery in Western Australia.
What happens, asks artist Caitlin Shearer, when the starving artist trope becomes all too real, alienating artists from their practice, health and happiness?
Within her warehouse studio in the industrial area of Coburg North, Melbourne, with her dog Merri in tow, Isadora Vaughan creates sculptural installations that sustain a visceral tension between incongruent materials and forms. Her work is showing at STATION Gallery Melbourne.
Nick Modrzewski combines his art practice with a similarly intense career in the law. His new paintings at COMA gallery explore the way human bodies fit (or don’t) within the institutional structures that guide our societies.
