Patrick Brown on “geological consent”
From coastal Shark Bay to the dusty goldfields region of Leonora, Patrick Brown explores the complexity of landscapes for his new exhibition at Art Collective WA.
From coastal Shark Bay to the dusty goldfields region of Leonora, Patrick Brown explores the complexity of landscapes for his new exhibition at Art Collective WA.
Ceramicist Shaun Hayes explores the inherent contradictions of his own work and materials in Single Use, showing at Stanley Street Gallery.
“It’s important we connect with how we look at things in the world.” Elisa Crossing paints images within images, layering visual references in her latest show at Nancy Sever Gallery.
Through her poetically constructed images, Hoda Afshar illuminates a world overshadowed by history and atrocity. Yet we never see despair: we see defiance, comradeship, reinvention and a search for how photography can activate new ways of thinking.
Exploring his Indigenous queer identity, Peter Waples-Crowe pushes expectations. Timmah Ball talks with Waples-Crowe about his art intersecting with his health and social justice work, and how his survey Pride at ACE signals closure alongside new directions.
Hiromi Tango is creating aesthetic pathways through trauma and illness, particularly long Covid, using her signature rainbow palette to centre gentleness, compassion and hope at Brisbane Festival.
Artist and poet Chunxiao Qu bends common language into absurd, funny and meaningful forms that are as forthright as the glow of her neon lights—as seen in her latest show at FUTURES Gallery.
Celebrating artist collectives through seven exhibitions across Melbourne and Kyneton, the new Collective Polyphony Festival is founded on the notion of artists supporting artists.
One of Australia’s biggest art fairs is back at Carriageworks, with over 96 booths and 500 artists. Our Art Guide editors have curated their top picks at Sydney Contemporary, spanning intimate still life paintings, cats draped over shoulders and emerging artists.
Spanning over 30 art centres, 1,221 million square kilometres, and 16 languages, Desert Mob is a joyful gathering that celebrates community and Country, from food to fashion to sovereignty.
Moving to New York in 1969, Virginia Cuppaidge is known for her internationally revered abstract paintings. She’s now living in Australia, unveiling a carefully restored, utterly luminous, six-metre work at this week’s Sydney Contemporary.
From Andy Warhol’s Polaroids to Platon’s portraits of Cate Blanchett and Vladimir Putin, the 10th Ballarat International Foto Biennale explores how the camera can depict reality or ‘truth’.
Charlotte Haywood’s new exhibition at Northsite Contemporary Arts is a sensory exploration of the relationship between all living things. “It is about needing to reframe our relationship with the living planet, and each other.”
With vivid new paintings and sculptures at Tolarno Galleries, Brendan Huntley talks about his use of colour, capturing energy, and the nature of creating.
From kewpie dolls used in the 2000 Sydney Olympics to a satirical bust from the 16th century, the Powerhouse Museum curatorium pick four of their favourites in the current show, 1001 Remarkable Objects.