Briony Downes is an arts writer based in Hobart. She has worked in the arts industry for over 20 years as a writer, actor, gallery assistant, art theory tutor and fine art framer. Most recently, she spent time studying Art History through Oxford University.
To enter Toby Ziegler’s solo exhibition at Mona, Your Shadow Rising, visitors must draw back a curtain and step into the gallery space.
Tasmanian artist Rosie Hastie exploits the photographic medium like an illusionist. To create her work, Hastie combines skillfully placed lighting with wads of crumpled paper to produce the impression of a fantastical landscape.
Timbre represents Mestitz’s first collection of two-dimensional paintings on board, a departure from the architectural blends of sculpture and painting she has been working with since the late 1990s.
A Minang/Noongar man from Western Australia, Christopher Pease creates multi-layered paintings combining traditional Indigenous stories with 19th-century colonial narratives, powerfully subverting images like those produced by Lieutenant Robert Dale and his contemporaries.
David Goldblatt unblinkingly captured South African history over 70 years, yet his photographs reveal a universality of human experience
Handmade ceramics are often described as possessing the marks of their makers. Like an extension of the individual, the clay form is born from within the maker, a direct conduit of imagination and memory.
Braidwood-based artist Kate Stevens has won the inaugural Evelyn Chapman Art Award for her work Gaza, 2018, a painting based on imagery found in online news footage.
Canberra’s National Gallery of Australia is plunging into its American collection, with the works that put it on the map.
Painter Charles Blackman died on 20 August in Sydney, just eight days after celebrating his 90th birthday. A statement released by the Charles Blackman Foundation confirmed that the artist passed away “as the first morning bird called in song” surrounded by family after a long-term battle with dementia.
Sam Field’s paintings are like colonialist postcards from a post-apocalyptic Australian landscape. His terrains are assembled by combining national logos and images – from vintage Channel Nine logos and football teams, to Blundstone boots and lyrebirds.
Mona founder David Walsh AO has announced a collaboration between the Melbourne-based Hotham Street Ladies and Pop Architecture as the winner of the 2018 Tapestry Design Prize for Architects.
At first glance, the human protagonists in Brassington’s exhibition appear strangely familiar. On closer inspection, it becomes evident that they possess slight anomalies that render them unfamiliar.
