Anna Dunnill is an artist and a writer based in Naarm (Melbourne). She works with textiles, ceramics and tattoo. Anna is also one half of collaborative duo Snapcat.
In Hito Steyerl’s immersive video installation Factory of the Sun, the gallery’s dark walls, floor and ceiling are illuminated by a grid, lines glowing a cold blue.
Not unlike the vintage photographs he works with, John Stezaker was unearthed after decades of obscurity.
Territory, geography, architecture, time. In their mid-career survey exhibition, Architecture Makes Us, Sonia Leber and David Chesworth wrangle with these structures, formed by humans, but which cannot fail to shape us in turn.
In a groundbreaking exhibition, curator Hannah Presley makes a case for the multifaceted representation of contemporary Indigenous art.
Brodie Ellis’s video work, A Crystal World, 2016, cuts together footage of Australian mining explosions, sourced online, into a slow motion sequence.
Mathematical Expressionist is a survey of work by painter Edwin Tanner (1920-1980). Accompanying 60 works from Tanner’s 30-year oeuvre is The Arbour and the Orrery, by artist and composer James Hullick whose mechanised sound installations engage Tanner’s works in dialogue.
Transparency and other worries presents a new body of work at Brisbane’s Institute for Modern Art in which the artist probes our distanced relationship to mining.
Examining the poetics, textures and vernacular languages of Mexico City are 12 artists who have lived or worked there, participating in the mutual transformation of the city.
Lisa Sewards’s interest in parachutes stems from family lore. Her mother, who spent several childhood years in a European refugee camp, related a memory from that time of finding a silk parachute left over from the war.
There’s a rich and long history behind cameraless photography yet it continues to beguile, and recently, divide the public.
A fascination with distorting the grid underpins both current exhibitions at Flinders Lane Gallery: Zero Zero Zero by Richard Blackwell and Particle Fever by Dion Horstmans.
Monika Behrens paints still-life arrangements from a psychedelic dreamscape.
