Sarah crowEST is particularly known for her “strap-on paintings”—large, wearable objects on stretched cloth that can be exhibited or worn. Ahead of her inclusion in Melbourne Now and her solo at LON Gallery, we caught crowEST in the final days of her residency at Billilla Mansion in Melbourne, where she talks through the importance of sustainability.
Kate Rohdes’s whimsical sculptures are simultaneously natural, unnatural, and even supernatural. In a space shared with her fluffy ginger cat Lion and her 6-year-old son, Rohde’s warehouse in Melbourne’s Northcote is a busy site of creativity and play.
“It was like an open studio and an exhibition space and a home space, everything kind of intermingled in a really lovely way.”
An artist, curator and academic, David Sequeira’s multidisciplinary practice has spanned over three decades, with colour as its driving force. From his home studio in West Melbourne—where he creates across his house—he discusses his all-encompassing approach to art making, as well as his bold exhibition, All the things I should have said that I never said, and its relationship to his Indian background.
“And being on Country has given me permission to speak loudly,” says artist Leanne Tobin, “to tell the truth about what has happened to the Dharug, to my family, and also to make work about the shared need to care for Country.” We visited the artist in her studio ahead of her current showing at Biennale of Sydney.
Ramesh Mario Nithiyendran is known for his iconoclastic figurative sculptures that are bright, bold and larger than life. We visited the artist’s studio to learn more about Nithiyendran’s process, and hear about his inclusion in HOTA’s summer show.
“I do something every day, even if it’s only a scribble. But of course I still have doubts. There is no certainty in this game. There are no rules.”
