Cementa19 will feature more than 40 artists making, exhibiting and performing in 20 venues across the town of Kandos, NSW, responding to its landscape, history, social, cultural and environmental context.
This exhibition by Hermannsburg potters looks back to the history of their Country in a way that is strenuously contemporary.
In paintings like Our Rocky Shore, 2019, Neil Haddon blends the soft textures of clouds with contrasting colours, creating a surface crackling with orange hues and the veined branches of trees.
Spearheaded in 2017 by Tasmanian ARI (artist run initiative) Constance, Hobiennale is a week-long arts festival uniting ARIs from across Australia and New Zealand via free exhibitions, projects and artists’ talks.
Anna-Wili Highfield’s art career began outside the gallery system…
Claudia Terstappen is known for her photography, but recently she has started working with ceramics as well.
Rose Richani’s intimate recollections of her Syrian homeland reveal the complex reality of living between two cultures.
WATERLICHT, an immersive installation by Dutch art and design firm Studio Roosegaarde, will make its Southern Hemisphere debut at Fremantle Biennale this November.
Mike Parr’s The Eternal Opening takes place in a replica of Anna Schwartz’s Melbourne gallery that has been placed inside Carriageworks.
For In Cahoots: Artists collaborate across Country six art centres each invited a contemporary artist to visit and collaborate with the Aboriginal artists of their area: Neil Aldum, Curtis Taylor, Trent Jansen, Claire Healy and Sean Cordeiro, Louise Haselton, and Tony Albert.
The expanse of the sublime and the particular exactitude of botanical studies are present in Valerie Sparks’s immersive wallpaper installations of a hybrid Australian landscape.
Post-humanism anticipates a future in which bodies are enhanced, replaced or surpassed, and in which the status of ‘person’ isn’t defined by species or carbon-based physicality.
