The State Library of Victoria’s Velvet, Iron, Ashes exhibition features disparate content: from the Ashes urn and Freddo Frog to Ned Kelly and the history of Yallourn.
The compassionate, connective relationship one can potentially have with one’s self, as well as with others, is the fertile grounding of Kate Mitchell’s large-scale installation All Auras Touch.
The Island delves into Ah Kee’s hard-hitting critiques of Australia.
In Shiver, curator John Stafford notes that the shark has little profile in the history of art.
This summer, the exhibition Water, which features 40 works by both Australian and international artists, asks visitors to take the time to really think about this precious resource.
An exhibition titled Animal Nation may, on the surface, presuppose a simply figurative display of animal life.
The notion of a worthy adversary is an ancient tradition. Matisse & Picasso narrates the artists’ intense mutual scrutiny, public disagreement and praise-via-appropriation.
Through subtle sculptural gestures, Jenny Loft offers meditations on place and the importance of environmental care.
Focusing on a particular setting to reach something universal preoccupies Joanna Logue, and she tries to achieve this in her solo show Floating World through landscape paintings that lean towards the abstract.
Insisting on the importance of the artist’s hand in giving a work vitality, Sydney artist Robert Klippel naturally made this evident in his distinctive sculptures.
Cementa19 will feature more than 40 artists making, exhibiting and performing in 20 venues across the town of Kandos, NSW, responding to its landscape, history, social, cultural and environmental context.
This exhibition by Hermannsburg potters looks back to the history of their Country in a way that is strenuously contemporary.
