In the group show The Other Portrait, at both UTS and SCA galleries, artists/curators Cherine Fahd and Julie Rrap explore the idea that ‘the other’ is always about the self.
Jennifer Keeler-Milne rediscovered her love of oil paint thanks to wattle, leaves, and lockdown. Autumn & Spring, at Australian Galleries in Sydney, is her first solo show of paintings in nearly a decade.
Ruth Höflich’s latest show, To Feed your Oracle at Linden New Art, started with research on magicians, but she prefers cunning and conjuring to magic.
Jeweller Blanche Tilden has spent 25 years adorning people with unusual materials—from glass and metal to computer parts and bicycle chains.
RISING, a new festival, launches polyphonic voices across the Melbourne CBD
From the painted miniatures of old to the photo on an iPhone lock screen, the bond between love and portraiture is a tale as old as time.
As a young man, George Gittoes followed the advice of Mother Teresa and dedicated himself to making inclusive art. Now 72, On Being There, at Casula Powerhouse Arts Centre, records his life’s work, in and out of warzones.
Time has revealed itself in new ways during the pandemic. In Time Feeling Slippy, artist David Booth, also known as Ghostpatrol, uses bold colour-block paintings to explore this strange phenomenon.
A sense of the uncanny echoes through many of the works in Real Worlds: Dobell Australian Drawing Biennial 2020.
