Rather than try to encapsulate more than 60 years in a survey show, the gallery is focusing on one decade of his practice, from Bigger Trees Near Warter to now.
The exhibition Sappers & Shrapnel: contemporary art and the art of the trenches is timed to coincide with Remembrance Day, 11 November.
It’s fairly common these days for artists to combine their artistic practice with the role of curator. Brigid Noone explores the tension of this hybrid model in the role of artist and curator for the exhibition Major Tender.
Tatsuo Miyajima: Connect with Everything is a survey show on the leading Japanese artist, spanning 30 years of work.
The exhibition is somewhat of a retrospective of Marani’s 25-year career as an artist.
In this exhibition, Bloombox, Natasha Bieniek has created 10 miniature paintings of public gardens around Melbourne.
As a painter celebrated for his figurative portraits, Alan Jones recently stepped out from the depths of his warehouse studio and into the open air to tackle the longstanding tradition of landscape.
Despite a successful career spanning 35 years, it’s not easy to see work by the late American artist Mike Kelley in Australia.
For the last 30 years, artists David Jensz and Wendy Teakel have lived together and shared a studio.
His compositions use coloured light as a sonic element and he sees “music and colour as interchangeable”.
Tricky Walsh’s homage to wartime code, technological relics and early communication devices.
Nganampa Kililpil: Our Stars is the first major survey exhibition of works from seven arts centres in the Anangu Pitjantjatjara Yankunyjatjara (APY) Lands in South Australia.
