It’s fairly common these days for artists to combine their artistic practice with the role of curator. Brigid Noone explores the tension of this hybrid model in the role of artist and curator for the exhibition Major Tender.
Tatsuo Miyajima: Connect with Everything is a survey show on the leading Japanese artist, spanning 30 years of work.
The exhibition is somewhat of a retrospective of Marani’s 25-year career as an artist.
In this exhibition, Bloombox, Natasha Bieniek has created 10 miniature paintings of public gardens around Melbourne.
As a painter celebrated for his figurative portraits, Alan Jones recently stepped out from the depths of his warehouse studio and into the open air to tackle the longstanding tradition of landscape.
Despite a successful career spanning 35 years, it’s not easy to see work by the late American artist Mike Kelley in Australia.
For the last 30 years, artists David Jensz and Wendy Teakel have lived together and shared a studio.
His compositions use coloured light as a sonic element and he sees “music and colour as interchangeable”.
Tricky Walsh’s homage to wartime code, technological relics and early communication devices.
Nganampa Kililpil: Our Stars is the first major survey exhibition of works from seven arts centres in the Anangu Pitjantjatjara Yankunyjatjara (APY) Lands in South Australia.
Ngaio Lenz paints possibility. Her new exhibition, The Imperfect Balance, extends the Melbourne-based artist’s investigation into the place of intuition, history and emotion in painting.
Doley’s 95 Things Learnt About Feminism are evidently not intended as a complete definition, if such a thing can even be attempted, but rather a snapshot of how the movement exists today: ever-shifting, many-layered, but stronger than ever.
