Structural engineer to artist is an unusual career segue, but Damien O’Mara cherishes the freedom to create work driven by personal creative interests.
Gravity (and Wonder) is a collaborative project between Penrith Regional Gallery & The Lewers Bequest and The Museum of Applied Arts and Sciences (MAAS, formerly Powerhouse Museum).
The 2016 TarraWarra Biennial, Endless Circulation, folds time and material in all directions.
In Fragments of Language, an exhibition of over 30 new, small-scale sculptures, Koning’s studio will be transposed into the Engine Room space at Turner Galleries.
Having taken a quiet back seat for more than a few years, ceramic art is experiencing a welcome resurgence.
Congratulations to Swiss jeweller David Bielander for winning the 2016 Mari Funaki Award for Contemporary Jewellery.
“The sculptures touch on stories of migration, of being out of place, of being the ‘arrivist’.” Weaving a folkloric story, deeply connected to the landscape, Due North hinges on Anderson’s multidisciplinary practice.
Blanchflower’s Canopy series is being showcased at the newly refurbished Drill Hall Gallery at ANU. The solo show spans over 30 years of work and features paintings borrowed from national, state and private collections.
Presenting the work of six artists, Close to home is the second Dobell Australian Drawing Biennial.
These locks are open confessions, vows taken to withstand time, intended to be part of the fabric of a place.
The Uncanny Valley is an alchemical and vibrant exhibition pondering the complexities of existence.
The title of Julia Robinson’s latest body of work, The Song of Master John Goodfellow, refers to French Renaissance writer Francois Rabelais’s notorious satirical novels The Life of Gargantua and of Pantagruel.
