Anywhere but here: MCA Primavera Acquisitions presents a tightly curated selection of works by 13 Primavera alumni, chosen for their ability to comment on our current moment.
On Our Country vividly shows how the Spinifex Artists have been reconnecting with waterholes and Dreaming sites that their families were forced to leave over half a century ago. Painting is one of many ways that their stories are retold and recorded.
Peta Kruger is familiar with waste anxiety, that stress phenomenon that implicates all of us in the crisis of over-consumption and our growing landfill scourge.
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
Turning 30 is a major milestone, well worth celebrating. So Linden New Art is throwing an online party to mark three decades of their annual award exhibition, the Linden Postcard Show.
A new sculpture exhibition considers how our experience of space is psychological, cultural and surreal.
Thompson, who got her start at the Aboriginal owned and operated art centre Ernabella Arts in the APY Lands, is an artist who effortlessly works across multiple mediums including painting, printmaking, wood carving, ceramics and fibre-based works.
Symbiosis, the inaugural Bankstown Biennale, has appropriately been assembled by two curators working in tandem, Vandana Ram and Heidi Axelsen, who have brought together the work of 20 Australian artists and writers.
Opening up 50 years of contemporary art at Mornington Peninsula Regional Gallery.
Barbara Cleveland is a mythic persona reclaimed from 1970s Australian art history. A new retrospective explores her ‘forgotten’ life and practice—which is to say, the forgotten practices of non-male creatives at large.
