Known for creating fantastically detailed masks, puppets and costumes, sculptor Garry Greenwood also crafted fully-functional musical instruments out of leather.
In NO SHOW, artist-led initiatives bring more than 50 creatives to Carriageworks.
MIRKA, a new show at the Jewish Museum of Australia, allows audiences to hear Mirka Mora’s voice and see the artist’s work through the lens of her rich Jewish cultural heritage.
Patrizia Biondi uses recycled cardboard to create elaborate sculptural assemblages that critique consumer culture.
Patricia Piccinini’s powerfully maternal Skywhale is joined by Skywhalepapa, a gargantuan male counterpart gently embracing a litter of bulbous offspring.
Amber Boardman’s large-scale paintings look at how both decision fatigue and the internet are shaping our lives and interactions.
Stranger, at the Tasmanian Museum and Art Gallery (TMAG), is a survey show which offers an insight into the way David Keeling sees Tasmania.
With organza, tulle, empty photo frames and ash, Sonja Porcaro gently peels back the divergent histories of Sauerbier House and Ngangkiparinga, the adjacent saltwater river.
Weaving is synonymous with world-making. In numerous cultures, the loom is a metaphor for creation; a person’s life often represented by a spun thread.
Constructing Landscape: urban visions reflects a new chapter in the nation’s consideration of how the urban environment might be represented.
