Intimate, sexualised, playful and primordial: for three decades Borland has used photography as her medium, from photographing Queen Elizabeth to creating her own visual language. Showing at Melbourne Art Fair, Borland tells us where she’s at with life and art.
After winning the 2021 Sulman Prize and the Women’s Art Prize Tasmania, Georgia Spain’s vividly gestural paintings are highly lauded. The artist, who only had her first solo show three years ago, talks about why she’s compelled to capture human interaction, how she defines success, and painting pleasure and conflict.
Curator Lee Kinsella discusses mining the Cruthers Collection of Women’s Art for works that embody a kind of transformative material alchemy.
In this interview, while preparing for her retrospective show Finders Keepers at Mundaring Arts Centre, the West Australian artist Nalda Searles talks about her four-decade long textiles-based practice, adapting to the changes life throws in your way, channelling her dark humour, and committing to creativity.
Mikala Dwyer connects a range influences like the mystical, occultism, constructivism, Dada, Bauhaus, memory and sexuality. With a new exhibition on avian life at Roslyn Oxley9, Dwyer talks about reading tarots, her process of ‘not-knowing’, and explains just how personal her art is.
Dean Cross examines his past, present and future ambitions through the lens of a Greek myth in his solo show Icarus, my Son at Goulburn Regional Art Gallery. He spoke to Briony Downs about leaving his regional home for the big city and the responsibility of being a culture-maker.
Kokatha and Nukunu artist Yhonnie Scarce talks about the power of visual narratives, how her work reveals hidden truths, and her latest show Missile Park now on at the Institute of Modern Art.
From glass eel traps to possum skin cloaks, Maree Clarke uses art to tell stories as well as reclaim and extend cultural practices. Maree Clarke: Ancestral Memories is the first major exhibition at the National Gallery of Victoria by a living artist with ancestral ties to the land on which the gallery stands.
Linda Brescia chats about her C3West initiative Skirts, deciding in the shower to become a feminist artist, dressing-up as both a nude and a nun, and the desire to make ordinary women visible.
In 2019 the Australian Design Centre invited ceramicist Prue Venables to exhibit a new collection of her enigmatic, metal-augmented porcelain objects as part of their Living Treasures series. The exhibition is still touring the nation and has recently arrived at Design Tasmania.
Ruth Burgess filters the work of a 17th century astronomer and her own youthful career as an experimental composer through a decades-long printmaking practice in her latest solo show, The Music of the Planets at Grace Cossington Smith Gallery.
