After being postponed for almost two years, Frances Barrett’s Meatus is now opening at ACCA. Our 2020 interview is essential reading ahead of the exhibition and performances.
Since the 1980s acclaimed American artist Kiki Smith has looked at mortality, sexuality, and nature. Showing magnificent tapestries in the current Biennale of Sydney, Smith has previously shown in five Venice Biennales, and in 2006 was one of the ‘TIME 100: The People Who Shape Our World.’ In our interview Smith talks about the process of making art and being patient in our chaotic world.
A political protestor and art photographer in the 1970s, Julie Rrap talks about being a woman today and tells us about her new work rethinking historical and feminist representations of the female body, showing at ARC ONE Gallery.
Hans Ulrich Obrist, Asad Raza and Warraba Weatherall talk about the process behind This language that is every stone at Brisbane’s Institute of Modern Art, as well as curating identity in the 21st century, and the relationship between art and language.
Intimate, sexualised, playful and primordial: for three decades Borland has used photography as her medium, from photographing Queen Elizabeth to creating her own visual language. Showing at Melbourne Art Fair, Borland tells us where she’s at with life and art.
After winning the 2021 Sulman Prize and the Women’s Art Prize Tasmania, Georgia Spain’s vividly gestural paintings are highly lauded. The artist, who only had her first solo show three years ago, talks about why she’s compelled to capture human interaction, how she defines success, and painting pleasure and conflict.
Curator Lee Kinsella discusses mining the Cruthers Collection of Women’s Art for works that embody a kind of transformative material alchemy.
In this interview, while preparing for her retrospective show Finders Keepers at Mundaring Arts Centre, the West Australian artist Nalda Searles talks about her four-decade long textiles-based practice, adapting to the changes life throws in your way, channelling her dark humour, and committing to creativity.
Mikala Dwyer connects a range influences like the mystical, occultism, constructivism, Dada, Bauhaus, memory and sexuality. With a new exhibition on avian life at Roslyn Oxley9, Dwyer talks about reading tarots, her process of ‘not-knowing’, and explains just how personal her art is.
Dean Cross examines his past, present and future ambitions through the lens of a Greek myth in his solo show Icarus, my Son at Goulburn Regional Art Gallery. He spoke to Briony Downs about leaving his regional home for the big city and the responsibility of being a culture-maker.
Kokatha and Nukunu artist Yhonnie Scarce talks about the power of visual narratives, how her work reveals hidden truths, and her latest show Missile Park now on at the Institute of Modern Art.
From glass eel traps to possum skin cloaks, Maree Clarke uses art to tell stories as well as reclaim and extend cultural practices. Maree Clarke: Ancestral Memories is the first major exhibition at the National Gallery of Victoria by a living artist with ancestral ties to the land on which the gallery stands.
