Drawing on a palette comprised of pure colour, immersive installation and the science of perception, Nike Savvas creates audience experiences that flood, puzzle and delight the senses.
Known for his massive drawings, Fairbairn has extended his raw, linear approach to portraiture into the realm of printmaking. His exhibition Drawn to Print couples existing drawings with these new printed works.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
Dale Harding graduated from the Queensland College of Art in 2014, yet his opportunities and achievements since speak to a much longer practice, indeed a “cultural continuum” to which he is connected through country.
Born in 1983 in Sydney, and now residing in Brooklyn, NYC, Anna Kristensen is most recognised as a painter. However, it is at the crossroad of photography, sculpture and painting that her work tends to sit.
Melbourne-based artist Peter Hennessey’s practice owes much to his architectural acumen.
Anna Dunnill sat down with festival co-directors Claire McArdle and Chloë Powell to talk about Radiant Pavilion.
The annual Cairns Indigenous Art Fair packs a lot in to just three days in July. Sharne Wolff spoke to Hetti Perkins about her role in the Fair and the importance of presenting Indigenous art on the world stage.
Every two years, since 1988, the Melbourne Art Fair has been a major event on the Australian arts calendar. But in 2016 the Fair was unceremoniously cancelled just six months before it was due to open. Now the Melbourne Art Fair is back with a new venue, new director and new vision for the future.
Louise Martin-Chew spoke to artist William Robinson about his return to still life painting, his love of music, and his two current solo shows.
After more than two decades of frenzied discourse around the concept of identity, Claudia Nicholson broaches the complexities with humour, resolve (there was the time she ate a raw lamb’s heart to a panpipe rendition of ‘Unchained Melody’) and freshness.
James Brett, founder of The Museum of Everything, discusses the line between insider and outsider art.
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