The 4A Centre for Contemporary Asian Art teamed Sydney-born artist Jason Phu with Hong Kong-born artist John Young Zerunge to take a fresh look at the 19th century riots on Australia’s goldfields, where resentment at Chinese miners boiled over.
Dr Barbara Piscitelli AM is a leading academic and early childhood educator. She curated the first exhibition at Brisbane’s new Gallery of Children’s Art (GoCA), Starting Young.
Melbourne-based artist Linda Tegg has joined forces with Baracco+Wright Architects as creative directors for the Australian pavilion in the 2018 Venice Architecture Biennale. The project, titled Repair, features thousands of native Australian grasses. Tracey Clement spoke with the artist while she was in Venice preparing for the grand opening.
Mathematical Expressionist is a survey of work by painter Edwin Tanner (1920-1980). Accompanying 60 works from Tanner’s 30-year oeuvre is The Arbour and the Orrery, by artist and composer James Hullick whose mechanised sound installations engage Tanner’s works in dialogue.
The exhibition With Seeing Hands features contributions from seven mostly Melbourne-based artists, some of whom identify as having sensory or mobility disabilities.
Khaled Sabsabi migrated to Australia with his family in the early years of the protracted and bloody Lebanese civil war (1975-1990).
As the 2017 Research Fellow at MAAS (the Museum of Applied Arts and Sciences), Sydney-based artist Kate Scardifield had access to a treasure trove of antique scientific equipment, charts and archival material.
Like many artists of his generation, Ian Howard was politicised during the Vietnam War. But to call his art anti-war is too simplistic, as Steve Dow discovers speaking to Howard while the artist prepares his latest exhibition.
Rather than represent a single viewpoint of the bush, Walker has developed a way to express a fugue-like structure – a set of interwoven elements to invoke being in place.
Along with Stuart Bailey, Wendy Murray has co-curated Fresh Blood: Redback Graphix and its Aftermath at the Casula Powerhouse.
Louise Martin-Chew spoke to Fiona Foley about her solo show, Horror has a Face, which is part of her PhD research.
Barnaby Smith spoke to Cigdem Aydemir about the politics of her work, #illridewithyou, and the legacy of Tracey Moffatt.
