Porcelain, fur, paraffin wax, silk, resin, glass, bones, fox and rabbit pelt, Tibetan gazelle horns: these are just some of the materials Juz Kitson uses to create her highly tactile, creature-like sculptural forms.
Danie Mellor’s new online exhibition at Tolarno Galleries, The Sun Also Sets, made up of paintings and large-format photomontages, is a deeply considered meditation on time, culture and the notion of ‘landspace.’
With a career spanning three decades, Adelaide-based Kirsten Coelho is the feature artist of this year’s South Australian Living Artists Festival (SALA).
Kylie Stillman’s silhouetted carvings of natural forms, such as trees and birds, are built up slowly over days and weeks, hollowed out from stacks of reinforced paper or timber with hand tools, knives and jigsaws.
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
Eugenia Lim’s major exhibition The Ambassador is currently touring Australia, and brings together works featuring her invented persona, also called the ambassador, who she inhabits across multiple videos, performances and sites.
As toilet paper (or the lack of it) made national headlines, artist Adrienne Doig turned a by-product of this basic commodity – the left over cardboard rolls – into a feel-good doll-making project anyone can do at home.
Whether filming her parents, making casts of precious family objects, or screen printing her mother’s hummus recipe onto a stack of Bunnings rugs, Lara Chamas’s work resonates with humour, warmth and tenderness.
Meatus is one of the many exhibitions that has been postponed due to restrictions on social gathering.
As artistic director of NIRIN, the 22nd Biennale of Sydney, artist Brook Andrew is bringing together over 90 artists, creatives, collectives and communities from Australia and across the globe.
Curated by Dr Pat Hoffie and Rosemary Miller, The Partnershipping Project brings together 20 installations, a database of interviews with artists, commissioned essays, and community workshops.
Phaptawan Suwannakudt brings Thailand’s Wat Pho temple to Australia through her multi-sensory installation Knowledge in your hands, eyes and mind at the Arts Centre Melbourne as part of Asia TOPA: Asia-Pacific Triennial of Performing Arts.
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