For Paul Yore’s latest solo exhibition at Neon Parc, Your Capital is at Risk, the artist has mined his own practice in the same way he mines popular culture: pulling together every possible scrap of material into a jangling visual cacophony.
Sera Waters talked with Sheridan Coleman about dated craft fads, the silences of Australian history, and her current residency and upcoming shows from a squashy velveteen divan, amid skeins of pastel yarn.
Ken Unsworth met with Brad Buckley to discuss his upcoming exhibition at the National Gallery of Victoria, the publication of a new monograph about his work, and his ongoing desire for creative control.
Born in 1957, South Australian artist Gerry Wedd is known for his ceramics as well as his long-term graphic contribution to the iconic Mambo brand, beginning in the late ‘80s and ending in 2006.
Tai Snaith takes a look at two pairs of artists who have formed intergenerational, informal mentorships, both sharing the love of humour.
It’s a big jump from Australia to an island in the Baltic Sea. During 2017 and 2018 the London-based Australian artist Sam Smith visited the Swedish island of Gotland as part of an artist exchange organised by Western Australia’s International Art Space.
“I see night-time not so much as the subject of my paintings but like a filter I apply that helps me access that space of subconscious mirroring.”
Invasion is Michael Cook’s most ambitious photographic series to date. Louise Martin-Chew talked to Cook about his need to extend himself, to ask questions, and show people the many colours between black and white.
Tamara Dean is known for her photographic works that document subjects who are often engaged in some quiet interaction with the natural environment.
Blak Design Matters has been curated by Jefa Greenaway, a Wailwan and Kamilaroi man, who told Barnaby Smith about the mission of the exhibition and how it came to be.
The 4A Centre for Contemporary Asian Art teamed Sydney-born artist Jason Phu with Hong Kong-born artist John Young Zerunge to take a fresh look at the 19th century riots on Australia’s goldfields, where resentment at Chinese miners boiled over.
Dr Barbara Piscitelli AM is a leading academic and early childhood educator. She curated the first exhibition at Brisbane’s new Gallery of Children’s Art (GoCA), Starting Young.
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