Open hands, shared knowledge
With ambition and an urgency fitting for the times, this year’s Tarnanthi exhibition honours Blak matriarchies.
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With ambition and an urgency fitting for the times, this year’s Tarnanthi exhibition honours Blak matriarchies.
Anna Louise Richardson’s documentations of rural farm life also function as memento mori: allegories of mortality, of existential dread.
Artists dig into recent art history to explore queer identities here and now.
In a time of isolation, designers collaborate on objects for a better collective future.
Lesley Dumbrell has been breaking gender barriers in abstract art for over 50 years.
For a new wave of contemporary artists, art-making can imagine a future free of oppressive structures—and create a language for building a more inclusive world.
How do you choose who to paint, and why? Three Archibald Prize finalists discuss the people behind their 2020 portraits.
Through the character of Sisyphina, Lou Conboy navigates myth, resilience and the craggy Tasmanian coast.
A much-loved educator and mentor, Kate Daw was a quintessential Melbourne art-world figure and a significant artist of her generation.
Neighbour – a friendly, flirty chat bot who is centred on uncovering one potent question: how does it feel?
Suspended in an uncertain ‘new normal’, artists continue to find ways to work.
Inspired by being in lockdown, South Australian gallerist Paul Greenaway initiated an international online project. Sheridan Hart spoke to him, and two of the artists involved, about using art to cross borders and bring comfort.
