Liveworks Festival of Experimental Art 2018
Jeff Khan says the Liveworks program evolved organically, but one idea he kept returning to was about “bodies at the edge.”
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Jeff Khan says the Liveworks program evolved organically, but one idea he kept returning to was about “bodies at the edge.”
Peter Raissis, curator of European prints and drawings at the Art Gallery of New South Wales where 65 of their paintings will be on view in Masters of Modern Art from the Hermitage, insists that the show is not going to feel like walking through a textbook.
Congratulations to Hoda Afshar who has won the $30,000 William and Winifred Bowness Photography Prize.
Congratulations to Zoe Young who has won the $30,000 Portia Geach Memorial Award for 2018.
Beyond Bling! is the third in the Art Gallery of Western Australia’s Culture Juice series of popular culture exhibitions.
Throughout her career Jasmine Targett has worked with esteemed researchers and organisations, including NASA, and used their research and technology in her work.
Can you have too much of a good thing? William Kentridge seems determined to find out in his survey show, William Kentridge: that which we do not remember, at Art Gallery of New South Wales.
“What do you say when you’re not a painter? Say you’re a video artist – how do you explain that to your accountant? Your mechanic?”
In Hito Steyerl’s immersive video installation Factory of the Sun, the gallery’s dark walls, floor and ceiling are illuminated by a grid, lines glowing a cold blue.
In this latest Art Guide podcast, Glenn Iseger-Pilkington, a Yamatji Nyoongar man from Western Australia with Dutch and Scottish migrant history, talks about his curatorial and consultancy roles. But he’s careful to point out that he sees himself less as a voice of authority and more as a conduit.
Sera Waters talked with Sheridan Coleman about dated craft fads, the silences of Australian history, and her current residency and upcoming shows from a squashy velveteen divan, amid skeins of pastel yarn.
One of the first things you will notice when entering Eva Rothschild’s exhibition Kosmos at the Australian Centre for Contemporary Art (ACCA) is the monumental scale of the works. Stark, formalist forms in black metal and concrete dominate your view.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
In his latest exhibition at Perth Institute of Contemporary Art, Jack Ball challenges the extractive history of the archive while searching for shapes that can articulate the complexity of trans life.
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
