Parrtjima festival to light up Alice Springs
Parrtjima festival to light up Alice Springs in September 2020.
Parrtjima festival to light up Alice Springs in September 2020.
Oracle, Brigita Ozolins hopes, may point to a potential future of positive change.
Inspired by being in lockdown, South Australian gallerist Paul Greenaway initiated an international online project. Sheridan Hart spoke to him, and two of the artists involved, about using art to cross borders and bring comfort.
Piccinini places human and non-human creatures in relationships that are as loving and empathic as they are unnerving.
Billy Missi believed in the power of art to make change.
Porcelain, fur, paraffin wax, silk, resin, glass, bones, fox and rabbit pelt, Tibetan gazelle horns: these are just some of the materials Juz Kitson uses to create her highly tactile, creature-like sculptural forms.
Working with textiles and bronze, Teelah George uses her smartphone to capture her new life in Melbourne.
Through the stark aesthetic of his smartphone images, Lawrence English provides a striking take on life during lockdown.
Our online lives are on steroids at present. Conflict in My Outlook_We Met Online is prescient in this regard. Planned as a physical exhibition, it segued onto the internet with the pandemic and social-distancing.
While he firmly established a specific vision for the art he wanted to make, John Nixon always remained an artist who loved to experiment and explore.
Working between Melbourne and Bangkok, Lesley Dumbrell has sent us snaps of home life: creating, gardening and pets.
Danie Mellor’s new online exhibition at Tolarno Galleries, The Sun Also Sets, made up of paintings and large-format photomontages, is a deeply considered meditation on time, culture and the notion of ‘landspace.’
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
They might have been continents apart, but visual artists Man Ray and Max Dupain were aligned in their experimental vision, as a major exhibition at the Heide attests.
All that is Alive is a multi-disciplinary exhibition exploring living systems with a focus on regeneration and growth, on display at UTS Gallery in Sydney.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
