Fiona Abicare works at the junction between contemporary art and interiors, always creating directly in relation to a certain site or context.
Undercurrent seeks to broaden how we acknowledge the Frontier Wars and massacre sites which scar country.
Virtual reality and art are not often paired together, but last year Sydney-based artist Joan Ross took the plunge in this still-developing medium after being awarded the second Mordant Family VR Commission.
Ruth Cummins is interested in the symbolism attached to methods of domestic improvement.
Three decades after Ana Mendieta’s death, Connecting to the Earth brings the Cuban artist’s work to Brisbane’s Institute of Modern Art (IMA), exploring what close communion with nature could look like in contemporary Australia.
Showing in Adelaide, Roger Ballen’s works have caught the world’s attention with their apocalyptic, disturbing and dreamlike air.
Adelaide//International finds artists raising the question of who holds the power of narration in a series of four solo exhibitions.
What happens after technologies emerge, after the devices have been built, and we’ve altered the conditions we live in? This question connects the diverse works in After Technology.
Hoda Afshar trains her lens into dark, forbidden corners of the globe, undermining the structural power of the medium.
Jahnne Pasco-White’s paintings have always had a sculptural element to them; she experiments with the layers and folds of loose canvases, which she plasters with wax, resin and found materials.
This year women have won all three awards in the National Photographic Portrait Prize including the top prize, the Highly Commended award and the Art Handlers’ Award.
On the ground in Washington DC, Australian artist Georgia Saxelby is rallying for participation in both art and feminist discourse.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
