Alex Seton
Alex Seton is known for his marble sculptures. These carved stone works often mimic the soft folds of fabric, but they have a hard political edge.
Alex Seton is known for his marble sculptures. These carved stone works often mimic the soft folds of fabric, but they have a hard political edge.
What happens when slogans and catchphrases are treated as instructions? In 2020, a year riddled with new phrases and contradictory messaging, Michelle Hamer has had plenty to work with.
Anywhere but here: MCA Primavera Acquisitions presents a tightly curated selection of works by 13 Primavera alumni, chosen for their ability to comment on our current moment.
Overlooked during her time, the late Pat Larter was a master of wit, theatrics and provocation.
From Grace Cossington Smith to Tracey Moffatt to Yvette Coppersmith, a new exhibition celebrates 120 years of women making art in Australia.
A new film melds art and activism, capturing the devastating effects of fracking for First Nations people.
Building on traditional knowledge and aesthetics, John Mawurndjul has established a thoroughly contemporary practice.
On Our Country vividly shows how the Spinifex Artists have been reconnecting with waterholes and Dreaming sites that their families were forced to leave over half a century ago. Painting is one of many ways that their stories are retold and recorded.
Peta Kruger is familiar with waste anxiety, that stress phenomenon that implicates all of us in the crisis of over-consumption and our growing landfill scourge.
Drawing upon passing scenes from life, and filled with allusions to pop culture, Anne Wallace’s realist paintings deliver images that flitter between intimate and suspenseful.
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
Language folds into form in the poetic yet monumental light sculptures of Welsh artist Cerith Wyn Evans, whose solo exhibition … in light of the visible is at the Museum of Contemporary Art, Sydney.
Drawn from the Cruthers Collection of Women’s Art at the University of Western Australia (UWA), Lawrence Wilson Art Gallery’s show Place Makers, reframes the artists—who just happen to be female.
