Weapons for the Soldier
Weapons for the Soldier brings together 41 Indigenous and non-Indigenous artists to reflect on warfare and the inherent drive to protect Country, family and culture.
Weapons for the Soldier brings together 41 Indigenous and non-Indigenous artists to reflect on warfare and the inherent drive to protect Country, family and culture.
For three decades Lisa Roet has used drawing and sculpture to highlight the similarities between humans and apes—close relations with whom we share 98% of our DNA.
From Marlon Brando’s Triumph Thunderbird 6T in ‘The Wild One’ to the Harley-Davidsons of ‘Easy Rider’, motorcycles have, over the decades, given art and entertainment some pivotal, iconic moments.
As part of a bumper Budget announcement yesterday, the Victorian government confirmed their commitment to fund the construction of Australia’s largest gallery of contemporary art and design, NGV Contemporary.
From song and dance to handcrafted objects, ‘TIWI’ celebrates the vitality of over 100 years of Tiwi art and culture.
Marian Tubbs moved from Sydney to the northern New South Wales town of Lismore in February this year, and already this new setting is weaving its way into her practice.
The Australian Centre for the Moving Image will reopen its renovated space in early 2021. But ACMI has already unleashed XOS, the shorthand title for its new internet “experience operating system,” which features artworks and performances curated and created specifically for online, and a new video-on-demand service for arthouse and festival films.
After Victoria’s lengthy lockdown, Anna Schwartz has reopened with not one, but two exhibition spaces in her Melbourne gallery.
Three of the University of Sydney’s significant cultural collections all have a new home within the Chau Chak Wing Museum.
Both artists and curators have been announced for The National 2021: New Australian Art, a major collaboration between three of Sydney’s biggest cultural institutions.
Over many months, Olga Cironis has been recording personal stories about love and connection. She talks about working collaboratively with strangers, and the intimate catharsis of speaking one’s experience out loud.
Co-curated by SAM’s Anna Briers and Rebecca Coates, Craftivism features 18 Australian artists who share an affinity for craft-based art with political gestures.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
An exhibition of newly commissioned works at the National Art School gallery in Sydney brings to light the historic and ongoing ties between Indigenous and Asian-Australian communities.
In the paintings of Yugambeh poet and artist Lionel Fogarty, dynamic words spill across the canvas and suggest a new way of reading, writing and approaching poetry in his new solo show, Burraloupoo at Darren Knight Gallery in Sydney.
Rigg Design Prize has announced its winner for 2025, in a celebration of early and established designers, the innovative works are on display at The Ian Potter Centre.
