Art in the Public Eye
Kaldor Public Art Projects marks a half-century of civic-minded, boundary defying art.
Kaldor Public Art Projects marks a half-century of civic-minded, boundary defying art.
Now at Perc Tucker Regional Gallery, touring exhibition Soft Core explores the fluctuating, mutable qualities of softness through sculpture.
Often perceived as a modest artform compared to, say, the grandiosity of painting, printmaking has been a site of experimentation, a fact highlighted in Lichtenstein to Warhol: The Kenneth Tyler Collection at the National Gallery of Australia.
Adelaide artist Louise Haselton creates sculptures using unexpected materials that land in carefully orchestrated balance.
With a practice spanning four decades, Melbourne-based jeweller Susan Cohn makes both highly wearable and deeply political work.
Through perforations, rubbings, and Vietnamese Braille, Savanhdary Vongpoothorn’s 25-year practice gets under the skin—and the surface—of her materials.
In Rain Room, the environment controls us and we control it in an uneasy symbiotic relationship.
Reko Rennie has been awarded the second Artbank + ACMI Commission, with the artist creating a new video work titled What Do We Want.
Turning Points is the third component of the NGV’s focus on China in its current program, showing alongside Terracotta Warriors & Cai Guo-Qiang and A Fairy Tale in Red Times.
We are living in urgent times courtesy of the climate crisis, with people from Pacific islands suffering more acutely than most.
Writing about the act of writing – or more specifically, to write about the field of what we commonly call ‘arts writing’ and to ponder what this might mean – is perhaps setting a thorny task for myself here.
The selection of Fiona Foley and Liu Bolin as the ‘headline’ artists for this year’s Ballarat International Foto Biennale in many ways beautifully sums up the spirit of this regional festival of photography.