Iranzamin maps the widespread cultural influence of Persia
Centuries-old Persian arts and crafts meet Florence Broadhurst’s swinging sixties wallpapers as Iranzamin, at the Powerhouse (MAAS), tells stories of empire and immigration.
Centuries-old Persian arts and crafts meet Florence Broadhurst’s swinging sixties wallpapers as Iranzamin, at the Powerhouse (MAAS), tells stories of empire and immigration.
When British designer Mary Quant led a 1960s fashion revolution, she would forever change how women dressed.
Georgia Banks has eligible contestants lining up…for a chance to win exclusive control over the artist’s funeral and remains.
Not everyone can spot beauty in a recipe, but Nadia Hernández has the heart of a poet.
From cartoon characters to fetishistic obsessions and aqua blue swimming pools, Rob McLeish channels online imagery into a suite of intense drawings in his solo show Distortions at Neon Parc – Brunswick.
From individuals to collectives, female philanthropy is a major driving force in the Australian arts. But who are these women? And why don’t we know more about them?
The 2021 Australia Council Awards honoured Vivienne Binns OAM for her outstanding commitment to Visual Arts, Cat Jones for her contribution to Emerging and Experimental Arts, and Marianne Wobcke received the Australia Council Ros Bower Award for Community Arts and Cultural Development.
Sydney’s White Rabbit Gallery has reopened with a new exhibition centred on an elemental force: light.
“I do something every day, even if it’s only a scribble. But of course I still have doubts. There is no certainty in this game. There are no rules.”
In her newest work, Angela Tiatia uses the myth of narcissus to hold a mirror to how we live today.
With the first participants announced, the 23rd Biennale of Sydney is centred on rīvus, a Latin word which can be translated as ‘stream’.
Painting in the early 1900s, Clarice Beckett is known as a leading Australian modernist—but a new exhibition locates something more mystical in the artist’s work.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
In the last 25 years, there have been few themes as omnipresent as the environment, especially when we look at Australian art. Join us as we revisit pieces from our archive that track artists’ ongoing fascination with the natural world and its changing landscape.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
